I thought I might be able to add something to this discussion.
Richard does seem to be producing a lot of books these days, but then again he likes what he is doing and takes pride in the quality of his books, so it is wrong to judge the quality of his books by reference to the quantity he is producing.
Bottom line: this is a guy who could have gone on to become an academic and write tedious history articles that future Oxford undergrads would be forced to read, summarise and reluctantly critique (at Cambridge they would of course be discrediting rather than critiquing). Instead he has directed his academic interests toward chess literature, and I for one think we are considerably better off for it.
The anti-sicilian book is pretty damn good, as is his beating unusual openings effort (these are the only of Palliser's works which I have recently purchased - of his older works Play 1.d4 and Tango are both very good also).
I think that it is also important, when considering chess books, to view each work in the correct context. Some books are written from the heart with a lot of passion (Ward's first book on the Dragon, my own work on the Dragon, Wells' work on the Semi-Slav, Rowson's Grunfeld book are just a few that spring to mind) whereas other books are written to fill a hole in the market and are largely functional. Very few people are going to have several years' experience in particular anti-sicilian lines that they are just bursting to share, if only because it is not worth investing the same amount of preparation time in developing stunning novelties (the pay-off is just too low when there are several good routes to playable positions).
If the book is functional the task then becomes one of identifying which lines are strong/interesting, researching them thoroughly, explaining the concepts underlying such systems, checking for novelties and errors in the analysis, and finally presenting the information in an accessible and engaging fashion. Coming from the academic background that he does Richard is unusually good at this.
Another point, which I think is often overlooked, is that a strong player can produce something along the lines of a "Starting Out in the Najdorf" guide relatively quickly - if they are already familiar with the theory and the ideas, then actually this is a relatively short job (the hardest task is probably working out what you can legitimately leave out of the book so as to keep things simple!). That doesn't in any way diminish the quality of the book, nor does it undermine the larger projects that an author may be working on - it is simply a different product that must be judged on its own merits.
Anyway, that's my bit for this discussion.
Best, Ed
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