LOL, sometimes u guyz just kill me
Without a doubt Ward's books on the dragon are the best on the market, hands down no question. His first book WWTD 1 is the reason why I took up the Dragon in the first place and I have not regretted it since.
Ok, on to specifics, you should definetly get both books and here are a list of reasons why:
1) Ward actually plays or played the stuff he recommends in his books, which allows the reader a unique insight into the mind and Opening laboratory of a GM.
2) The fact that Ward was prepared to virtually lay out his own repertoire for the world and in particular his opponents to scrutinze shows incredible bravery and faith in his lines.
3) The fact that over time some of the lines in both books are now under threat is irrelevant. If you really want to play the Dragon successfully, the first thing u must learn is that an opening book will never contain all the answers, as they tend to date quickly. Therefore u mustbe prepared to do some work on your own, to maintain the durability of the repertoire u choose.
4) What Ward's books seek to and succeed in doing, at least in my case, is to impart on the reader the Spirit of the Dragon. Ward does such a good job of verbally illustrating the tactical as well as strategical themes of the Dragon, that after thoroughly absorbing the contents of the book/books one should be confident enough to not only play this opening, but to come up with and explore some novelties of your own.
5) The fact that despite Ward's laying out his controversial repertoire in print since 1994, I find it remarkable that so many of his colleagues are still reluctant to test many of the critical and so called refuted lines against him. That says a lot for Ward's reputation as a player, analyst and writer.
6) Ward's two books on the Dragon in my opinion rank as amongst the best Opening repertoire books ever written, along with John Watson's 'Play the French' trilogy.
Simply put Ward's two Dragon Books are classics and a must have in any serious players' library. It should be noted though that the Dragon is a very complex opening, and as such one will need to invest in some reference works in order to fully appreciate its versatility.
What more can I say.
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