HgMan wrote on 08/31/07 at 20:08:42:
In all seriousness, though, I quite liked the Bird until I got Taylor's book.

Maybe I relied too much on his recommendations rather than looking at the positions myself, but I think I was doing better on my own. The Bird will reward the player who spends some time developing a repertoire with it; there's a lot of unexplored territory here, which is exciting. Adherence to book recommendations won't work for that...
Resurrecting this quote, because I agree 110% with you. It is important not to lean 100% on the author's conclusions, but rather to take their POV and evaluate it.
There have been many Bird lines I have stayed clear of SOLELY because of Taylor, until I had enough of following blindly and decided to evaluate my own paths. I have found that while the book does have some decent ideas, it leaves a lot of room for players to find their own paths...even Taylor played the b3 setup with White, which he slightly dissed in his book, but ventured into it with a reversed Dutch with Be2-b5, eliminating any tempo issues early on.
BUT the line I mention here is the analysis on From's Gambit with 1. f4 e5 2. fe d6 3. ed Bd 4. Nf3 g5 5. d4 g4 6. Ng5. Taylor says that the sac is not sufficient to be played, and I believe he covers ...f5 7. e4 h6 8. Nh3 gN 9. Qh5+ with Bc4 and says that with ...Rh7, Black has better chances.
Soltis also analyzed this line in his book and seemed to think White had reasonable chances, yet I steered clear of this line, until about a month ago, when I decided to uncork it and scored a 21-move mini.
I posted the line in a group, and a guy analyzed the idea with Fritz 12, that showed the position as dead even, even with White being down the knight in exchange for the strong central pawns and open lines and Black's exposed king.
There are MANY things that Taylor said that are beneficial, but still should be scrutinized. Also, I saw Tait's analysis on 7. Ne4 and I use that line all the time. I think it is the right path to take.