Markovich wrote on 10/30/07 at 19:42:42:
Does anyone think that the Classical French, and I'm not talking about the Burn, is suffiently dynamic to be played for a win? I think that is unmistakbly true of Black's side of the Steinitz Variation, but I am less certain after 4.Bg5 Be7. Relatedly, how are Black's chances against the Alekhine-Chatard?
I am by no means familiar with the theory of the Classical, rather ignorant in fact. I'm just seeking the opinion of those with more experience than I. But I would like to broaden my understanding of the game before these atoms that constitute me find a different use in the Totality of Things.
I find it very strange that 4 e5 is all the rage, since not only is it open to the theoretical objection that Black retains his better bishop but you can argue that it is not even the most practical choice, since Black has a wide choice of playable systems.
No, 4 Bg5 just HAS to be the real test of 3...Nf6. Aftyer that it the choice is a stylistic one for Black, but he is a bit worse in every case.
4...Bb4 ends up exchanging Black's better bishop for a knight, but he gets to inflict some damage, as in the Winawer, and in some lines gets to exchange White's potentially dangerous (since now unopposed) dark squared bishop. It is a messy, fighting choice but not everyone's cup of tea. Also it has become very concrete and theoretical, and different White set-ups can require very different responses from Black - in other words there's a lot to learn, both concretely and positionally.
4...Be7 5 e5 means that Black's better bishop will be exchanged, but this time for a bishop rather than a knight.
Then Tartakower's 5...Ne4 is interesting but almost certainly bad, yet maybe useful as an occasional surprise. In modern times Bonin has played some interesting games with it.
5...Ng8 is playable but rather passive.
5...Nfd7 is best, but there is no proven equaliser against 6 h4 and everything is now a bit scary for Black. 6...c5 might be best, but recently White has been getting good results by allowing his centre to be dismantled, castling queenside and attacking down the centre files and on the kingside; although Black's position is strategically promising (centre pawns) it can be hard to coordinate with the king stuck in the middle or on f8. At least, though, it's a game. On his very interesting DVD, Ziegler recommends the calm 6...0-0 but that takes really strong nerves and good preparation, and may yet be proved bad anyway. Morozevich has experimented with Guimard-like 6...Nc6. Everything else is probably just plain bad. But in this materialistic Fritz age, you don't get to meet 6 h4 very often.
6 Bxe7 Qxe7 is a bit better for White, since he has more space and Black has lost his good bishop, but in return Black is a bit less cramped after the exchange of bishops and can create dynamic play with the ...c5 and ...f6 breaks; his two main strategic objectives in these lines are a) to mobilize his centre pawns and b) free the bad bishop and even try to transform it from ugly duckling to swan. It's a fighting defence with lots of strategic content and practical counter-chances. It is no accident that in the past aggressive players such as Spielmann and Lilienthal used to play the Classical. You can learn a lot from their games, plus from other old masters such as Maroczy, and later Stahlberg and Yanofsky (the Canadian one). The main modern specialists are Gleizerov, Ulibin and Riazantsev, but such greats as Korchnoi, Morozevich, Short and Seirawan have contributed interesting ideas and model games. Play tends to be very thematic and a specialist should get decent results with Black once "played in". This brings me to an important point - you have to play the French as your main weapon or not at all - it is notable that players who just occasionally dabble in the French tend to get bad results with it - even Tal found that!
4...dxe4 preserves the important dark-squared bishop, but at quite a high cost in space and mobility. It's "unfrench" in feel, but is quite solid and might suit some people, particularly refugees from the 4...Nd7 Caro Kann.