MNb wrote on 10/20/10 at 00:17:58:
At the other hand - why not resist the temptation of that check on c4 once again? 11.Kd2 and only after Bxh4 12.Bc4+ and 13.Qg1.
1.e4 e5 2.f4 exf4 3.Nc3 Nc6 4.Nf3 g5 5.h4 g4 6.Ng5 h6 7.Nxf7 Kxf7 8.d4 f3! 9.gxf3 Be7 10.Be3 d6 11.Kd2 Nf6 of course and you tell me if white has something else than returning to my earlier mentioned variations with Bc4+.
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1.e4 e5 2.f4 exf4 3.Nc3 Nc6 4.Nf3 g5 5.h4 g4 6.Ng5 h6 7.Nxf7 Kxf7 8.d4 f3! 9.gxf3 Be7 10.Be3 d6 11.Bc4+ Kg7 I propose 12.Qe2 and only after Bxh4+ (which you want to avoid) 13.Kd2. After eg Bf6 14.Qf2 Na5 15.Bd3 c5 16.Nd5 cxd4 17.Bf4 White completes his/her development by directing all pieces to the King's Wing. 16...Bxd4 17.Bxd4 cxd4 18.Raf1 shows the same idea.
1.e4 e5 2.f4 exf4 3.Nc3 Nc6 4.Nf3 g5 5.h4 g4 6.Ng5 h6 7.Nxf7 Kxf7 8.d4 f3! 9.gxf3 Be7 10.Be3 d6 11.Bc4+ Kg7 12.Qe2 Bxh4+ (Here it is ok because white would otherwise get too easy 0-0-0 and white also doesn't have the often very annoying Qg1 here) 13. Kd2 Bf6 14.Qf2 Na5 15. Bd3 c5 16.Nd5 cxd4 (Probably the best although I doubt that white can equalise either after Bxd4. Black is afterall a piece up which is a lot.) 17.Bf4 Nc6 (Using the free black squares) 18. Raf1 Ne5 19.fxg4 Be6 20.Kc1 Nxd3+ 21.cxd3 Bxd5 22.exd5 and after these massive exchanges blacks extra piece is likely to be decisive.)
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1.e4 e5 2.f4 exf4 3.Nc3 Nc6 4.Nf3 g5 5.h4 g4 6.Ng5 h6 7.Nxf7 Kxf7 8.d4 f3! 9.gxf3 Be7 10.Be3 d6 11.Bc4+ Ke8 The same here. White does not need to play Kd2 voluntarily. I'd prefer 12.f4 Bxh4+ 13.Kd2 Bf6 14.Qg1 Nge7 15.Re1. After 12...Na5 13.Bd3 c5 Rybka suggests 14.Bf2 (after other moves ...Bxh4+ seems annoying). The idea is to complete development by castling queenside and prepare a central break. Then Black's King will be unsafe.
1.e4 e5 2.f4 exf4 3.Nc3 Nc6 4.Nf3 g5 5.h4 g4 6.Ng5 h6 7.Nxf7 Kxf7 8.d4 f3! 9.gxf3 Be7 10.Be3 d6 11.Bc4+ Ke8 12.f4!? (Interesting but a bit slow and it also closes at least temporarily the f and g files which are often necessary for finding the compensation) Bxh4+ (Probably the best now that the Qg1 idea isn't so menacing anymore) 13.Kd2 Bf6 14.Qg1 Na5 (There are other ideas e.g. with Nge7 but I prefer this idea because now black gets nice counterplay) 15.Bd3 c5! (A strong pawnsacrifice to put whites king in open air too. Black can permit it. He is afterall having a piece more.) 16.dxc5 dxc5 17.Bxc5 b6 18.Bf2 Bxc3 19.bxc3 and whites e and f pawns are looking thin as compensation for the piece.
Quote:Anyhow, I recommend to play through the game Babula-Votruba, Cihak 1969. White had fair chances, even though Black had more or less won a tempo via 9.Bc4+ d5 10.Bxd5. There is also the golden oldie Pollock-Gossip, Montreal 1894, where White can improve with 16.Be4.
To be honest, it was the game Gallagher-Hresc, Geneve 1991 that troubled me most.
Contrary to you, I work very methodically. Not only I review all reference games of the latest megabase but I also take a look at the latest downloads from twic, the megacorrespondence database and finally the latest downloads from iccf. I can tell you that I found 6 games with the f3 idea of which none was of much theoretical importance. In fact the whole variation is still in a very early theoretical stadium. The game Babula-Votruba, Cihak 1969 is starting with 8.Bc4+ which isnt' the same as what we are discussing here. Pollock-Gossip, Montreal 1894 concerns a completely different opening so not sure why you bring that game up unless in my database the game is wrongly published. Gallagher-Hresc, Geneve 1991 also has no direct link to my analysis because I don't sacrifice with d5.