SWJediknight wrote on 02/09/09 at 18:15:44:
In my opinion it's probably better to use the Blackmar-Diemer as a part of your repertoire alongside other openings. There's a temptation to try to get it in nearly every game (which is possible, as ArKheiN points out) but as with any opening, playing just the BDG all the time gives a limited range of positions.
I totally agree. The BDG is a good bolt on addition to a repertoire built on 1.e4 as white.
First black can avoid the BDG by transposing to the french or Caro-Kann. As a 1.e4 player you need to know how to play against these openings.
Secondly you can unleash the BDG if you know that your opponent lways answers 1.d4 with 1..d5.
Quote:
Alongside one or two other 1.d4 lines, though, I don't see a problem with using it. I personally use a different approach- I play 1.e4, but sometimes transpose to the BDG from 1.e4 openings (eg 1.e4 d5 2.d4, 1.e4 c6 2.d4 d5 3.Nc3 dxe4 4.f3). It can even be used against some lines of the French (e.g. 1.e4 e6 2.d4 d5 3.Nc3 Nf6 4.Bg5 dxe4 5.f3; also 3.Be3 dxe4 4.f3 is playable)
I have used these transpositions many times. I have a BDG Caro-kann hybrid in a current correspondence game so I will not comment on this line. I have not achieved consistent results with 3.Be3 against the French
Quote: I don't think you need to learn much theory- at least not at club level- as the ideas are pretty easy to grasp.
Statistically the BDG scores very well- you'll only find trouble getting compensation for the pawn if you significantly exceed 2000 Elo, I reckon. [/quote]
On this point I totally disagree. There are several repertoire books that give antidotes to the BDG. If white is not prepared with suitable counter measures he can get smashed. This happened to me when an opponent sprung one of these lines against me. His elo is about 2000 an rising fast and he was third equal in the Australian Open.