MNb wrote on 11/26/09 at 02:44:52:
I quite like 1.e4 c5 2.Nf3 h6 3.Nc3 d6 4.d4 cxd4 5.Nxd4 Nf6 6.Bc4 e5 7.Nde2. One idea is to play Be3, Qd2, f3, g4 and Ng3. Then the kingside does not look that safe for His Black Majesty. White seems to have an improved version of the Byrne Attack vs the Najdorf: 5...a6 6.Be3 e5 7.Nb3.
Your general idea seems sound. I don't know much about the Najdorf, but after 7...Be7 how would you continue? On 8 Be3, Black has Ng4, and 8 f3 allows 8...Qb6!? 9.Qd3 0-0, Black is willing to take on b2 or play something like Na6-c5. Or 8 Qd3 Nc6 9 f3 Nb4 10 Qd1 Be6, since you don't control d5.
Instead of 7.Nde2, hoping for later recovery of the piece via g3, isn't Nf5 stronger, fighting for the square d5? Which transposes, of course, to the earlier remark in this thread by PatzerNoster: 1 e4 c5 2 Nf3 h6 3 d4 cxd4 4 Nxd4 Nf6 5 Nc3 e5 6 Nf5(!) d6, and now 7 Bc4 transposes to your own line, if you replace 7 Nde2 by 7 Nf5. This is certainly a good line for White. In my article I was focused on 3.c3, which for a long time I used to see as the refutation.
There is an interesting alternative: 1.e4 c5 2.Nf3 h6 3.Nc3 d6 4.d4 cxd4 5.Nxd4 Nf6 6.Bc4 a6! (instead of 6...e5). Then on 7 f3 Black can play 7...Qc7 which wins a tempo on the Bc4 (an advantage of postponing Nc6), followed by e6. Best may be 7 Be3, when Black has a choice:
(a) 7...e5
(a1) 8 Nde2 Ng4, an improved version of "a", transposes to your line.
(a2) 8 Nf5 g6 9 Ng3 Be6 += is playable for Black (than 6...e5 7 Nf5), because Ng3 is less useful than a Ne3.
(b) 7...Ng4 8 Qf3!? Ne5 9 Qe2 Nxc4 10 Qxc4 e6 11 0-0 b5 12 Qb3 Nd7 unclear. (c) 7...Qc7 8 Bb3 e6 with interesting play.
@TN
Perhaps you should read my article first, before you criticize. On 7.Nc3 my continuation is 7...Be6!.
Regarding Papageno's opinion:
Quote:In addition, 1.e4 c5 2.Nf3 h6 3.Nc3 d6 4.d4 cxd4 5.Nxd4 Nf6 6. Be3 a6 7. f3 e5 8. Nb3 Be6 9. Qd2 Nbd7 10. 0-0-0 b5 11. g4 is a Najdorf line, where the inclusion of g2-g4 and h7-h6 tends to favor White. (Among others, this is what Jesus de la Villa explains in his repertoire book "Dismantling the Sicilian".) – And 7. Bc4! looks like a much improved Sozin-Fischer to me...
Thus, in my opinion, Stefan Buecker is unfairly criticizing Pachman's recommendation of 3. Nc3.
In this respect I certainly don't agree with Jesus de la Villa. - 7. Bc4! may be playable, but in Sozin-Fischer Black typically plays an early Nc6. There are other lines which are closer to the actual position; the option Qc7 (attacking the bishop) and/or b5 followed by Bb7 lead to interesting positions with balanced chances. The "pointless" move h6 isn't necessarily the point. The key may as well be postponing Nb8-c6, which adds new ideas to Black's arsenal.