JonathanB wrote on 01/07/10 at 14:44:53:
Markovich wrote on 01/07/10 at 13:08:29:
White's side of the Dutch is perfectly viable one tempo down. So if you're a d4 player, just play as you would against the Dutch ...
Who was it when asked why if he loved the Dutch so much didn't he play 1. f4 with White responded with...
"That extra tempo is going to hurt me."
?
Malaniuk? Gurevich? Somebody like that anyway.
J
I believe it was Malaniuk, and I am sorry if I am incorrect.
Again, there are differences between the move orders, and the 1. f4 player must be aware that he cannot just "autopilot" into typical positions...it is that way with any opening. Take, for instance, 1. e4 c5 versus 1. c4 e5. Since White is playing the Sicilian position with an extra tempo, he can either play a useful waiting move that strengthens his position, or he can diverge into another branch. There are many more 2. g3 players than 2...g6 players, it seems to me. 2. g3 is highly popular in the English, while 2...g6 is not as popular as 2...d6 or 2...e6, or even 2...Nc6, it appears to me.
To autoplay these positions is crazy. It is a different position, and ought to be handled differently.
A key idea behind this is the debatability of whether Black can achieve 2...b6 or not in the Dutch. After 1. d4 f5, 2. g3 immediately contests the queenside fianchetto...sure, we could see something like 2...b6!? 3. Bg2 Nc6, or ...d5, or ...c6, but it doesn't seem to make that much sense to me. But in the Bird, the only way Black can immediately fight against the fianchetto is with 1...g6, and then he risks White playing into an early e4. So there is a tradeoff, and the Bird player must be aware of these subtle nuances - they are the difference between equal and advantage.