Smyslov_Fan wrote on 12/27/11 at 18:06:03:
Wow, the danger of playing an English set-up against the KID is that play may become stereotyped?
I always thought that was the main danger of playing 1.d4 Nf6. 2.c4 against the KID! The English, at least for me, is far more fresh and has far more variety of ideas than can normally be seen in the KID. as someone once said, the Classical KID is basically a race. There's very little subtlety of thought there.
...
Playing an English set-up is fine of course but in this particular case the automatic Rb1, b4-b5 doesn´t offer white much in the line I mentioned, at least as far as I know.
I don´t know who said the classical KID is basically a race. This is certainly true for some variations after 5.Nf3 0-0 6.Be2 e5 7.0-0 Nc6 8.d5 Ne7 but even here the play does not have to be so single minded. And if Black plays something different on move 7 race situations are more the exception than the rule in my experience.
gramsci wrote on 12/27/11 at 19:19:05:
What are they? I'd like to play this variation as black vs 1.Nf3 English (it's true that 1.c4 allows black others set-ups without Nf6 or f5 before Nf6) but I can't if I want to play the Panno vs. the Fianchetto KID. You just can play this variation if the Classical Fianchetto is in your KID repertoire.
You can try 1.Nf3 Nf6 2.c4 g6 3.g3 Bg7 4.Bg2 0-0 5.0-0 d6 6.Nc3 a6!? when 7.d4 Nc6 transposes back to the Panno and if White plays 7.d3 trying to play the stereotyped
Rb1, b4-b5 again you can try 7... e5 as played and explained by Bologan in his book "The King´s Indian".