I like such topics.. We usually discuss themes like this one trying to "analyse" romantic stuff in a romantic way. In other words, not one of us will play such openings in an important correspondence chess game, for example. But many of us will play, say, the Bulgarian Ouch Gambit in a blitz game, a rapid one...or even some of us (and here I suspect Stefan in the first place
) in OTB game on a classical time control.
So, I think we can "analyse" such openings in a romantic style. A style we miss in the today competitive chess. It would be very, very bad for me if I had to run my Houdini's, Critter's, Rybka's, Komodo's and alike engines up to 30 plys depth, comparing their results (or even using the Aquarium Idea for over a week) on a specific position and duly "recite" their results after all. And further...re-working these results putting the human ideas into their pure calculations like I do in my correspondence chess games.. In the end, we'll run the risk to dry out every creative human idea in chess that can come out of us all. And to cite our computer analyses till the end of the day..
No, no - I don't like it this way. At least, it will be counter-productive for topics like this one. Let's speak our chess ideas in a human way! Calculations?! Ok! But who is going to calculate such lines instead of me when OTB?! (Harry) Houdini?!
Recently I posted a topic about the Ruy Lopez, Bulgarian variation C60 with the original analysis of the late Dr Georgi Popov - one of the all time best Bulgarian correspondence chess players.
http://www.chesspub.com/cgi-bin/yabb2/YaBB.pl?num=1343208784 While translating from Bulgarian language I checked some of his ideas with an engine. And was amazed by his quality of analysis - not the computer evaluations like 0.86 (so automatically +/-), but the firm human understanding - this position is playable, or black is close to equality. Or white is better...and therefore has better chances (but still not winning 70 %
). It was full of creative human ideas...and all of this just to defend his occasional slip of the hand while playing 3...a6 in the Ruy Lopez.
"That's it!" (Curt Vonnegut)
... 1.e4 c5 2.a4... Oh no, not again!..
(Thank you, Stefan!)