ReneDescartes wrote on 10/30/19 at 01:07:52:
A question for my fellow members: Do you trust Lackdawala to be thorough and thoughtful, given the volume of his output? How can he put in the effort that an Avrukh or a Rowson put into their first repertoire books? And if he can't put in that kind of effort, do you think it matters? This is not a rhetorical question; I have doubts which seem partly unfair and fall into a kind of twilight area.
It's not the speed at which he puts me off that makes me doubt his thoroughness, but rather the fact that the books I have seen do have gaps. He is undoubtedly much less thorough that each author you mention.
However, thoroughness is not why I have bought his books: his years of coaching come through, and he anticipates questions and lines which a typical club player might ask.
Most importantly: he covers lines that I'm interested in, often which I don't see covered elsewhere in much detail (see below).
Quote:I have confidence that the lines meet basic professional standards, but I'm not sure how thoughtful or heartfelt the book can be. Also, Lackdawala is a positional player (though one that thinks it's a good idea to mock his own style with self-deprecating charges of cowardice, in terms I find a bit painful to read. Claim forthrightly your belief in what you are, and the sun will enjoy looking at you). How can he catch the spirit of this f3 (and even f4) stuff, even by playing it for a few months?
Lakdawala is a solid IM. He does play positional lines, but has a long career and also played sharp lines in it. I think the I-am-a-boring-positional-player quips are jokes to a certain extent.
In many of his books, they are about lines he has played in the past: e.g. the London, Slav, ...d6 book, Modern, Sveshnikov.
For example, in his Slav book, he covers 6.Ne5 6...Na6, which is off the beaten track, and which he put some time into for his own work.
In his Sveshnikov book, he covers 6...h6, which is again a line he has played in the past, and again shows some originality. There is often some thoughtful stuff in his books.
Quote:Sielecki, on the other hand, like his compatriot Weteschnik, seems to me to be the kind of guy that will throw himself, quixotically, into doing a really great job, giving effort beyond what he could ever be expected to be compensated for, just because of who he is.
Yeah, Sielecki is a class act. I have watched his YouTube channel for many years, and loved the Nimzo book. In particular, the explanations of the Hübner were really first rate. I haven't read any other work of his.
But if I want to play the ...h6 Sveshnikov, isn't Lakdawala more or less my only source? What if I want a recent repertoire book on the Smyslov Caro Kann? Lakdawala was more or less the only option at that time.
Summary: there are gaps in the coverage. But he covers lines that I want to play that aren't receiving coverage elsewhere.