HAJS wrote on 07/28/20 at 12:01:45:
I would like to learn more about the Saemisch from White's perspective and wonder where would be a good place to start. What are some good books or other media and who are its biggest proponents at the top level? Also, I am curious to know what you think of it in terms of theoretical reputation.
Many thanks!
You could do worse than start with the games by early Saemisch players and work up to today.
- Botvinnik, Geller, and Spassky were terrors with 5.f3 and their games could be inspiring today, but of course theory has moved on.
- Petrosian was already mentioned. He could be fun to look at because his interpretation will be so different from the above players.
- Balashov played the Saemisch consistently when given the chance, but he was more of a 1.e4 player so you might not find that many examples.
- Sadler is a 1.d4 player whom I associate with the Saemisch, but actually when I checked on it he split about 50/50 between 5.Nf3 and 5.f3.
- Dreev is the big modern name, a consistent 1.d4 player who consistently chooses 5.f3.
- After that, when you look at modern players it seems they play the Saemisch only sporadically. Probably there are two reasons for this, although they are related so might amount to one reason. First, the Saemisch requires white to use a particular move order, so white loses some flexibility in the opening. Second, modern players vary their openings a lot to avoid preparation. I looked at Cheparinov, Hillarp Persson, Shankland, Wojtaszek, and they all play the Saemisch only a minority of the time.
- Ding Liren has taken up the 3.f3 Anti-Grunfeld move order so this might bear watching.
As for books, EricTheRed in Reply #5 is being modest about his book. I have my eye on it. It says something that I am tempted by a book when I don't play the opening with either color.
Paddy wrote on 07/29/20 at 23:25:29:
In this respect I suggest that the older books on the Sämisch by Chris Ward (2004) and Joe Gallagher (1995) still deserve consideration. Both authors are excellent at explaining things.
Gallagher is a good explainer but Ward is not. Same goes for presenting critical lines. I have six books by Gallager, and more where he is co-author, and they are all really good. I have three books by Ward, including his Saemisch book, and a couple of his videos, and the best I can say about them is I didn't pay list price.
Theoretically the Saemisch is probably about the same value as the Classical. Both are slightly better for white, and in each case the engine will overestimate white's edge. But the play required from black is very different. In the Saemisch the ...f7-f5 scheme by itself is a misfire. Instead black has to hurry on the dark squares, even sacrificing a pawn if necessary, before white develops and consolidates the grip on the center. In the Classical, the ...f7-f5 scheme amounts to real counterplay, but white's development is also real. The big plus of the Saemisch is if black plays routinely, they risk getting squashed like a bug. The big minus is if black plays actively and concretely, white doesn't have so many choices and there is a risk the game will follow preparation for a long time, then fizzle out. At club level probably the plus far outweighs the minus. At master level it's the opposite. One final point is it might be hard for white to play the Saemisch for a draw. Not that white should do that ordinarily, but if all you know is the Saemisch and black is in a must-win situation in the last round, you are in for a fight. In the Classical white has more ways to "equalize".