FreeRepublic wrote on 11/16/24 at 14:56:53:
I think I see a trend among authors away from the Winawer towards the Classical. At least that is what we see with the two works by Krishnater mentioned here. In the Tarrasch, there seems to be a similar trend away from 3...Nf6 toward 3...c5. Do trends represent a desire to look at different lines? Or, do they indicate changing opinions about which lines are best?
FreeRepublic - I believe I'm seeing the same trends. Other than Bryan Tillis' Chessable course,
Mastering the French, I'm not aware of any recent works that recommend 3...Nf6 vs. the Tarrasch. Even something regarded as rather marginal, the Guimard (3...Nc6), is covered in both
The French Defense Revisited and Kryakvin's
The Modern French Defence from Chess Stars. However, 3...c5 with a subsequent ...Qxd5 seems to be the favored line for meeting the Tarrasch.
To cite a specific example, I studied Giri's Lifetime Repertoire course on the French during the lockdown, and the variations he presented with 3...c5 seemed to equalize almost effortlessly. His anti-Tarrasch repertoire even avoided the lines where White can muddy the waters by sacrificing a knight on g7. Although Black can hold (see, e.g., Lakdawala's
Opening Repertoire - The French Defence or Ntirlis'
Playing the French), the task requires memorization of computer lines. Giri's lines avoid this work, and the ease with which it and other 3...c5 repertoires achieve equality seems to be a major reason for their proliferation.
Although Giri's variations yield positions free of defects with good activity for Black's pieces (even the "French bishop" usually gets gets nice prospects on the long diagonal after it's posted on b7), I feel a a bit of visceral unease about them. While Black has no weaknesses, neither does White, and the first player has a queenside pawn majority. It would seem that White has the obvious plan to exploit this feature while Black doesn't have any obvious targets to attack in White's sound structure. Perhaps it's the residual memory of the Irving Chernev books I read in my early chess education where someone like Capablanca converted that majority, seemingly with ridiculous ease. To address your question in the quoted text, I think the choice of 3...c5 by many authors is not so much a matter of it being the "best" line. It's a practical decision based on how this move can form the basis of a repertoire that's implemented with relative simplicity.
I think the situation with the Winawer is slightly better, though the Classical 3...Nf6 still seems to be more common. Not to get too persnickety, but only one of Krishnater's works,
The Practical French Defense, recommends the Classical. His other modern-chess product,
Modern French Defense, suggests the Winawer with 6...Nc6. I also just noticed that Plichta's French Lifetime Repertoire course on Chessable has recently added coverage of this same variation. Originally, only the Classical was offered vs. 3.Nc3. Plichta said in the forum page for his course that he's wanted to add the Winawer and thought the 6...Nc6 variation would be a good choice since it hasn't been over-analyzed (yet!).
This 6...Nc6 version of the Winawer is getting a fair amount of attention. John Watson has covered it in multiple updates over the last year. I haven't studied it extensively yet, but it seems to allow Black to meet 7.Qg4 by steering the game into positions that rather more resemble the strategic play of Positional Winawer lines compared to having to venture into the ultra-sharp jungle of the Poison Pawn.
I'm reminded of the game between Mariya Muzychuk and Alina Kashlinskaya from the 2022 Chennai Olympiad. When I skimmed through the game in a magazine (likely
New in Chess), I noticed that the two players were following one of the deep Poison Pawn lines with 12...d4 presented by Giri in his French LTR course. On the 27th move, Black made a fatal error, answering 27.Qd6+ by moving her king on f8 to g8 instead of to the correct g7. In her notes to the game in ChessBase Magazine 210, Ms. Muzychuk comments, "27...Kg7 was a necessity, but the reason is not obvious. So, it's either you remember this, or it's very difficult to figure out which way is correct over the board". This sort of demanding memorization work may explain why utilization of the Poison Pawn poses practical difficulties OTB, leading Black players to seek alternatives that offer a more strategic (some would say more sane) game such as 6...Nc6 or the Portisch-Hook line 6...Qa5.