Thank you for your reply. Yes, you’re right, 4..e3 cuts down on my homework because it applies to both lines (1d4 d5 2e4 and 1e4 c6, etc).
I had thought about 4..e3 (and I may try it), but look at 1e4 c6 2 d4 d5 3Nc3 de4 4 Bc4 Nf6 5 f3 e3 6Bxe3. I think White is happy here –lead in development and undoubtedly it won’t be new to him.
My judgment (about the BDG) is perhaps clouded because I’ve only recently taken up the C-K, and I’ve already lost 0-2 to the Bc4/5f3 line.
[I don’t yet have experience of the Advance Variation with Bf5 –I’m trying 3..c5. Because I fear that White knows more than I do I’m avoiding mainline theory, until my experience builds up.]
When I play 4..Nf6 (or 4..Bf5) I can feel the power in that piece, not so after 4..e3.
I don’t mind White winning back his pawn (5f3 Bf5 6g4 Bg6 7g5 Nd5 8Nxe4) –he’s made some concession with Pg5 I feel, but spending a tempo to hand it back with 4..e3 ?
I am forgetting Rule Two of Fight Club (Never argue with the Master, especially not in public!)
Publishing.com is great, why didn’t I join sooner?
Perhaps I am asking too much of the opening? I want the pawn (or compensation for handing it back), and a solid position that isn’t going to be overrun, and I want White taken away from his regular lines. A tall order.
Nf6+Bf5+c6 looks sound to me, so I’ll try a couple of times more and if it doesn’t work…
It’ll have to 4..e3.