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Hello. I am not sure this is the proper forum for this message, but since I am hoping to get some response from Dutch players, I am putting it here. I have lately been experimenting with the Dutch Stonewall and have been having good results in the main lines after 1.d4 e6 (I also play the French so I use the 1...e6 move order to avoid some anti-Dutch lines) 2.c4 f5 3.Bg2 e6 4.c4 c6 5. Nf3 d5 6.0-0 Bd6 and 1.d4 e6 2.c4 f5 3.g3 Nf6 4.Bg2 d5 5.Nh3. I think Jacob Aagaard makes a pretty good case in his book "Dutch Stonewall" that the main lines are at least very playable for Black, and I have hadn't encountered any real theoretical difficulties in these main lines in internet blitz games against players up to IM strength (although I have had other difficulties not associated with the opening!). I have also had good experiences with most of the lines in which White avoids the kingside fianchetto, and the "Slav Stonewall" positions (i.e., White adopts an e3/c4/c4 pawnstructure with the Bc1 "inside" the structure). Overall, my experience in the Stonewall-type positions been quite pleasant,and I think that the Stonewall is a good fit for French players like me who are used to the problems associated with light-squared pawn complexes and have a strategic bent. However, there is a move-order issue which has come up again and again in my games and for which I have not yet arrived at a satisfactory answer: namely, what to play when White plays 1.Nf3. More and more d4/c4 players seem to be adopting this move order these days with the intention of transposing into mainline 1.d4 or 1.c4 openings after possibly "move-ordering" players (like me!) out of their preferred lines. In Vol. 3 of his Opening for White According to Kramnik, Khalifman shows that White can avoid the Modern Stonewall (with Bd6 rather than Be7) by playing 1. Nf3, 2.c4, 3. g3, 4. Bg2, 5.0-0 and sometimes 6. Nc3, keeping the option open of playing d3 and e4 (rather than d4) if Black adopts a Stonewall setup with 1...f5, 2...Nf6, 3..e6, 4...d5, and 5...c6. Without going into too much detail here, Khalifman makes a pretty convincing case that after d3 and e4 against a Stonewall structure (i.e., pawns on f5/e6/d5/c6), White gets a nice edge. So it seems almost like Black needs a backup defense against 1.d4 and/or 1.c4 for White players who use the 1.Nf3 move order to tranpose into 1.d4/1.c4 variations. I am not so worried about the 1.c4 move order because after 1...e5 White has lost his ability to transpose back into mainline d4 positions and I play 1...e5 against 1.c4 just for this reason. Of course, when White uses this move order it is possible to play for a Leningrad or Classical Dutch system against which the idea of delaying d4 and keeping the option of d3 and e4 has less point. However, I would rather avoid letting White "move order" me into a different variation of the Dutch than the one I wanted to play. I also don't like the idea of having to learn a back-up defense against 1.d4 lines which works against the 1.Nf3 move order. If I have to learn a back-up defense, I might as well just go ahead and play something like the Slav in the first place. Simply stated, I am hoping for a solution which allows me to prevent White from playing any 1.d4 systems if White prevents me from playing the Stonewall by the 1.Nf3 move order and then delaying d4. I don't mind forcing some variation of the English as long as it is (i) consistent with my repertoire (e.g., after 1.Nf3 I cannot play 1...c5 because White can play 2. e4 and I find myself in a Sicilian rather than my beloved French), and (ii) sound without involving learning an enormous amount of theory. I have experimented with the move order 1. Nf3 e6 2. c4 c5, but basically there are simply way too many ways White can play this position and it is a nightmare to prepare for Black (another bad move order!). I am wondering if there are any experienced Stonewallers (or anybody else) out there who have considered this somewhat vexing move-order issue, and how they have resolved it. I would be grateful for any advice or input. - Geof Strayer
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