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Pinksi thinks 2...d5 and 2...Nf6 are both okay. After 2...f5 against McDonald's favorite 3. Bf4, he gives 3...Nf6, 4. e3 e6, 5. Nb5 Bd6! 6. Nxd6+ cxd6, saying "the control over e5 and e4 compensates fully for the loss of the bishop." Against 3. Bg5 he likes 3...Nf6, 4. Bxf6 exf6, 5. e3 Be6!, and then after developing his Q-side castles long and pushes ...g5. This line is essentially what McDonald gives for 2...Nf6, by transposition. Pinski also gives a different way of playing 2...Nf6, namely 3. Bg5 e6, 4. e4, which Williams hates for Black, but after 4...fxe4, 5. Nxe4 Be7 6. Bxf6 Bxf6, 7. Nf3 Nc6, 8. c3 0-0, 9. Bd3 d6, 10. Qc2 h6 11. h4 e5!, Pinski reaches a position that he claims has scored very well for Black in practice. Needless to say, Pinski gives a lot of sidelines to all these variations. I must say, of all the recent Dutch Classical books, Pinski's is my favorite. The other two are more fun to read through the first time, but Pinski's has more ideas, and I keep going back to it. I almost regret I'm a 1...e6 player, because I like the way these positions look for Black. They look complicated, but in an interesting way.
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