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Very Hot Topic (More than 25 Replies) Busting The Trompowsky (Read 23821 times)
MNb
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Re: Busting The Trompowsky
Reply #28 - 05/23/08 at 03:29:13
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trw wrote on 05/21/08 at 11:25:09:

What is move 6. here? I am confused dxe4 then f3 is played again? You can't mean fxe where Nxe4 and black is cleanly up a pawn no sweat. Certainly 6. Nc3 is good but provides black no problems... I think the knight is fine on d6 and it is possible to play g6 Bg7 and 0-0 h6 is fine. The only problem would be a possible weak square in h6 if white plays for Qd2 Bh6 but there is always Nf5 depending. otherwise the bishop can develop to e7.


I meant 6.Nc3 indeed, sorry. Also after 6.Nc3 exf3 7.Nxf3 g6 I think the knight is better on f6 than on f6. White has still that extra tempo (Bf4) and my instinctive reaction is something like 8.Qd2 Bg7 9.0-0-0 0-0 10.h4 and I am not sure if Black is that fine; it looks like White has dangerous prospects for the pawn.
Just my opinion; if you disagree try it in a game.
  

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trw
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Re: Busting The Trompowsky
Reply #27 - 05/21/08 at 11:25:09
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MNb wrote on 05/21/08 at 01:40:47:
1.d4 Nf6 2.Bg5 Ne4 3.Bf4 d5 4.f3 Nd6?! 5.e4 dxe4 6.f3 and why should the knight be better on d6 than on f6? True, f7 is not weak, but h7 will after castling kingside. And how to activate that bishop on f8?


What is move 6. here? I am confused dxe4 then f3 is played again? You can't mean fxe where Nxe4 and black is cleanly up a pawn no sweat. Certainly 6. Nc3 is good but provides black no problems... I think the knight is fine on d6 and it is possible to play g6 Bg7 and 0-0 h6 is fine. The only problem would be a possible weak square in h6 if white plays for Qd2 Bh6 but there is always Nf5 depending. otherwise the bishop can develop to e7.
  
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MNb
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Re: Busting The Trompowsky
Reply #26 - 05/21/08 at 01:40:47
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I don't see much compensation for Black after 17.Ke1. The king will feel good on e2 and Black cannot prevent White from untangling his pieces.

1.d4 Nf6 2.Bg5 Ne4 3.Bf4 d5 4.f3 Nd6?! 5.e4 dxe4 6.f3 and why should the knight be better on d6 than on f6? True, f7 is not weak, but h7 will after castling kingside. And how to activate that bishop on f8?
  

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Re: Busting The Trompowsky
Reply #25 - 05/19/08 at 08:35:17
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Kramnikaze wrote on 03/22/08 at 19:14:41:


1. d4 Nf6
2. Nf3 e6
3.Bg5 c5
4. e4!?

Is it any good?


Here I just happily play 4... Qb6 with the idea of hitting d4 and b7 so I usually see 5. Nbd2 cxd4 6. e5 Nd5 7. Nc4 Qc7 8. Nxd4 (recouping the pawn) a6   I have alot of success in this line actually but it always looks so ugly cause black isn't developed and white's pieces are adequately placed. However the knight on d5 is a great asset. 

MNb wrote on 05/01/07 at 02:51:27:
But you never responded to my suggestion 1.d4 Nf6 2.Bg5 Ne4 3.Bf4 d5 4.f3 Nf6 5.e4!? dxe4 6.Nc3 Nd5!? 7.Nxd5 Qxd5 8.Bxc7 Nc6 9.c3 Bf5 10.Qb3 Qd7 11.Bg3


Can't black happily play 10... e6 11. Qxb7 Nxd4 12. Qxd5 Nc2+ 13. Kd2 e3+ 14. Kd1 exd5 or is this line just terrible? My computer hates it because black is down a pawn probably after e3 falls but then this is the type of position I crave to play so unclear. It seems like potentially black should be able to grab the initiative and bishop pair here with 15. Rc1 e2+ 16. Nxe2 Ne3+ 17. Ke1  but I'm guessing this is exactly the type of position toppy wants to avoid hence not playing c5.



What about the crazy looking 1. d4 Nf6 2. Bg5 Ne4 3. Bf4 d5 4. f3 Nd6?!


  
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alumbrado
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Re: Busting The Trompowsky
Reply #24 - 03/22/08 at 23:03:41
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Kramnikaze wrote on 03/22/08 at 19:14:41:
if 1. d4 Nf6 2.Bg5 e6 3.e4 c5!?

What about 4.Nf3!? and transpose into a Torre:

1. d4 Nf6
2. Nf3 e6
3.Bg5 c5
4. e4!?

Is it any good?



Well, if Black plays into 4...Qb6 5.Nbd2 Qxb2?? 6.Nc4 Qb4† 7.c3! +- then it's great  Grin

Seriously though, 4...cxd4 is generally held to be pretty comfortable for Black.  Worth a try though.
  

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Kramnikaze
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Re: Busting The Trompowsky
Reply #23 - 03/22/08 at 19:14:41
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if 1. d4 Nf6 2.Bg5 e6 3.e4 c5!?

What about 4.Nf3!? and transpose into a Torre:

1. d4 Nf6
2. Nf3 e6
3.Bg5 c5
4. e4!?

Is it any good?
  
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GMEricPrie
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Re: Busting The Trompowsky
Reply #22 - 05/11/07 at 09:23:59
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Quote:
But you never responded to my suggestion 1.d4 Nf6 2.Bg5 Ne4 3.Bf4 d5 4.f3 Nf6 5.e4!? dxe4 6.Nc3 Nd5!? 7.Nxd5 Qxd5 8.Bxc7 Nc6 9.c3 Bf5 10.Qb3 Qd7 11.Bg3 - see 

11.Bg3! indeed looks like an improvement on Hauke-Appel that saw 11.Bf4 which could have been answered by the strong 11...e5! instead of the lame  Wink 11...e6.
Then Black should pursue in the same counter-gambit style with 11...e5! 12.d5 0-0-0 because d2 is not protected 13.Rd1 Na5 14.Qb5 only square Qc7! 15.Qe2 exf3 (15...e3!?) 16.Nxf3 Bd6 with an interesting lead in development and e5-e4 in the air without any material deficit.

As for 1.d4 Nf6 2.Bg5 e6 3.Nd2 I indicated 3...h6! is annoying there (rather then 3...c5 4.Ne4!?) intending 4.Bh4 c5! 5. e3 (5.c3!? cxd4 6.cxd4 Qb6 7.Qc2 Nc6 8.e3 d5 9.a3 Bd7 10.Nge2! Rc8 11.Nc3 does not give much but looks playable) 5...exd4! opting for the better structure without waiting 6.exd4 Be7! preventing Ne4 followed by b6, Bb7, d6, Nbd7 like in a so-so Torre for White with that sensitive f4 square.

I reckon 3.c3! intending to transpose into a Hebden Torre after 3...c5 4.Nf3 is the best for White which on the other hand does not solve the general problem of that white set-up as seen in March...  
  
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Re: Busting The Trompowsky
Reply #21 - 05/10/07 at 12:26:01
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Sure, White can do those things, and achieve an equal game a KI/Grunfeld player mightn't like, but then a KI/Grunfeld player probably wouldn't have played 2...e6 anyway.
  
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Re: Busting The Trompowsky
Reply #20 - 05/09/07 at 16:56:15
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I disagree.

With Nd2 white "threatens" to play e4 without having to exchange on f6. Secondly, if black replies d5, white has the option of playing a stonewallsystem with a later f4, but with the bishop already outside the pawnchain. So white does have possibilities besides a Torre.

Now even if these positions are theoretically equal, it's still not the type of play that a KI or Grunfeld player ( for instance) wants to play.
  
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Re: Busting The Trompowsky
Reply #19 - 05/08/07 at 10:39:08
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3 Nd2 doesn't offer White any more interesting possibilities than playing a Torre having slightly limited Black's defensive options. 3 c4 is just a QGD after 3....d5, with White committed to Bg5, but anyway I've never understood what White's next move is supposed to be after 3...c5.

But I agree that most moves are better than 3 e4.
  
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Re: Busting The Trompowsky
Reply #18 - 05/07/07 at 16:32:27
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Meat wrote on 05/05/07 at 13:20:28:
I play 2...e6 against the Trompovsky. 
Not really consistent with my usual Kings Indian, but that line offers black simple equality, imho.
I often end up getting a typical french advance structure where I have the bishop pair and a target at d4 to attack. Usually white gets frustrated because he was not able to create complications and just blows up at some point  Grin.


2...e6 is perfectly fine against the tromp, particularly if you play the nimzo. However I'm not sure you can label it an easy equaliser, for one thing the hardly mentioned 3.c4 deserves consideration and was recommended in one of those S.O.S articles in NIC magazine. Secondly 3.Nd2 is a lot more flexible than the oft quoted 3.e4 and offers White interesting possibilites as outlined by Eric Prie.

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Re: Busting The Trompowsky
Reply #17 - 05/07/07 at 13:39:02
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Meat wrote on 05/05/07 at 13:20:28:
I play 2...e6 against the Trompovsky. 
Not really consistent with my usual Kings Indian, but that line offers black simple equality, imho.
I often end up getting a typical french advance structure where I have the bishop pair and a target at d4 to attack. Usually white gets frustrated because he was not able to create complications and just blows up at some point  Grin.


I pretty much agree. Additionally there may be - if you're in a fighting mood - a way to play for a win with the black pieces by 3...c5 instrad of 3...h6. That decreases the number of draws signifcantly.

[Event "XXXII Open"]
[Site "Badalona ESP"]
[Date "2006.??.??"]
[White "Narciso Dublan,M"]
[Black "Lopez Martinez,J"]
[Round "8"]
[Result "0-1"]
[WhiteElo "2467"]
[BlackElo "2480"]
[ECO "A45"]

1. d4 Nf6 2. Bg5 e6 3. e4 c5 4. e5 h6 5. Bc1
Nh7 6. c3 Nc6 7. Be3 cxd4 8. cxd4 d6 9. exd6
Bxd6 10. Nc3 O-O 11. Nf3 Nf6 12. Be2 b6 13. O-O
Bb7 14. Rc1 Rc8 15. Re1 Bb8 16. Qa4 Ne7 17. Ne5
Nf5 18. Bf3 Bxe5 19. dxe5 Bxf3 20. exf6 Bc6 21. Qg4
Qxf6 22. Bf4 Qh4 23. Qxh4 Nxh4 24. f3 Bxf3 25. gxf3
Nxf3+ 26. Kf2 Nxe1 27. Rxe1 Rfd8 28. Re4 Rd7 29. a4
Rc6 30. Rb4 f6 31. Be3 e5 32. Rb5 Kf7 33. Kf3
g5 34. a5 bxa5 35. Na4 a6 36. Rb8 f5 37. Bc5
Rd5 38. Rb7+ Kg6 39. Ba3 Rc2 40. Ke3 e4 41. Rb6+
Kh5 42. Rd6 f4+ 43. Kxe4 Rxd6 44. Bxd6 Rc4+  0-1
  

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Re: Busting The Trompowsky
Reply #16 - 05/05/07 at 13:20:28
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I play 2...e6 against the Trompovsky. 
Not really consistent with my usual Kings Indian, but that line offers black simple equality, imho.
I often end up getting a typical french advance structure where I have the bishop pair and a target at d4 to attack. Usually white gets frustrated because he was not able to create complications and just blows up at some point  Grin.
  
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Re: Busting The Trompowsky
Reply #15 - 05/04/07 at 13:06:32
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kylemeister wrote on 05/03/07 at 16:21:13:
Don't you both mean, "b1 rather than c3"?   Cheesy
I would perceive the Benjamin thing as being like a Tarrasch where White is behind on tempi, but able to develop his kingside straightforwardly.

I would still have some doubt about the soundness of that Blackmar-Diemer with the extra Bf4.  That placement strikes me as sub-optimal (might be an impediment in the f-file, might be a target for a ...Nd5 exchanging maneuver) ...


Personally I have no doubt that if Black accepts the pawn on e4, White has full comp.  The Blackmar-Diemer is just close enough to soundness, and my view, that a tempo like Bf4 should be sufficient compensation.  It's a matter of opinion for the time being, but there is mine for what it's worth.  At any rate, you won't catch me playing 5...dxe4 unless I convice myself that Prie's 6...Nd5 maneuver is good.

Besides, I savor the irony of 5...e6.
  

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Re: Busting The Trompowsky
Reply #14 - 05/04/07 at 10:16:14
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You're right of course. It's a Steinitz French which is actually nothing like the Steinitz French. Apologies. as you were.
  
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