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In searching for an edge for white, and trying my hardest to equalize with black, my own analysis indicates black doesn't even equalize after 13...Rf6. In fact, he ends up plainly worse, and without the typical "hope and a prayer" attack. The critical variation is, without a doubt, 13...Ng6. From there: 14. c5 Nxc5 15. b4 Na6 16. Nb5 Rf7! Now, 17. Nd3 would transpose to a recent game where black drew comfortably (Topalov - Radjabov, Nanjing 2009). White always had compensation, but never any concrete threats. Radjabov preferring 13...Ng6 should also send a message. 17. Nxa7 is met by 17...Nxb4, and black isn't worse provided he remembers a really cute equalizing idea, for example: 18. Qb3 Na6 19. Nxc8 Qxc8 20. a4 Bf6 21. Nd3 g4! 22. fxg4 Bh4, and black is no worse, maybe even for choice. At this point in time the Classical KID looks really good from the black point of view. Black has equalized the Bayonet, he can avoid the theoretically problematic lines in 9. Ne1 Nd7 10. Nd3 f5 11. Bd2 with fxe4, and 9. Nd2 is well met by 9...a5 with ...Bd7 and following along the lines of Kramnik - Van Wely, Amber 2008. It's hard to admit as someone that only plays the white side. At this point in time white's best chance would be trying to find an edge after 10. Nd3 f5 11. Bd2 fxe4, based on the information I have, or resurrecting the Bayonet after Radjabov's 12...Kh8.
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