trandism wrote on 05/19/08 at 18:35:48:
With all respect to Paddy, I strongly disagree with his recommendation of researching repertoires of top players playing the french defence..
Reason being that Vaganian and Akobian and all other "French" GMs have a much broader knowledge and ability to handle a middlegame situation than a club player at expert level..
If we are talking about players <2400 here, I find the idea of copying repertoires from the elite and sub-elite a really bad idea..
Welll, there are a couple of things that I think are relevant.
First, you might feel that GMs are a breed apart, especially when you get hammered by them in an Open, but it is worth remembering that every GM was once a weak player trying to improve.
Second, the French defence has many unusual features and is something of an acquired taste. Thus GM French defence players tend to be specialists. (I don't know of many GMs who play the French only as an occasional weapon.) Also they tend to have played it a long time as their main or even exclusive defence to 1 e4, often since they were juniors. So I suggest it can be quite instructive as well as interesting to look at their games in a good database and see how their repertoires, tastes and understanding have evolved.
For example, against 1 d4, you can look to see if they seek closed positions, roughly (and I mean roughly) similar to the French, such as the Stonewall Dutch (Botvinnik, Gleizerov, Ulibin, Moskalenko...) or perhaps the King's Indian (Uhlmann).
Or do they seek a complete contrast from the French, such as the Tarrasch QGD (many of the Armenians), or perhaps something in between these extremes ( e.g. Vaganian and Lputian now generally play the QGD).
Finally, until a player develops his own chess style and "personality", it can be very useful to have a chess role model, whose openings you imitate and study. Many coaches have recommended this, and I don't think they are wrong. Having a role model can motivate you to study and at the same time reduces the amount that you have to study. It can also help prevent you from flitting from one unsatisfactory opening to another, as many on this forum seem to have done (including me

).
All the above refers to players who are beyond the beginner stage, who have ideally gone through a stage of playing lots of open games and gambits to develop their tactical skills, and who are now trying to develop a "serious" repertoire, one in which it is worth investing time, effort and money.