Don't know much about hardware, but to return to human talent vs practice, I did a literature search after my last post. Google Scholar can be quite addictive when your university library gives access to all those articles!
K. Anders Ericsson and his collegues published an article doubting the existence of giftedness and innate talent ("beyond height and body size" as they say) in the journal High Ability Studies, Volume 18, Issue 1, 2007. The entire 115-page issue is devoted to this article and critical responses to it.
Referring to Mozart and other musical prodigies, they write:
"Even biographies of very eminent individuals reveal that these individuals engaged in immense amounts of practice and their technique developed over time. In a review of musical prodigies, Lehmann (1997) noted that all had a live-in teacher, which would ensure that each of them had access to specialized instruction and encouragement to engage in the amount of practice required to maintain superior levels of performance." (p. 31).
As an aside it's well-known that Mozart's brilliant composed music didn't spring entirely from his own imagination; all the elements are there in the music of his mentors and main influences Leopold Mozart, Myslivecek (and via him the Italian baroque), Johann Christian Bach, and Haydn.
In fact the violinist Sarah Chang is mentioned by one of the critics as a better example of a gifted prodigy than Mozart. Ericsson et al. can only respond by lamenting that her rapid progress as a child was not carefully documented. And sticking stubbornly to the old "10-year rule" of practice needed for international standard: "Notably, Sarah continued to improve, but was only awarded a prize for adult music performance when she was 16 years old, well over a decade after her start of training with the violin." (p. 107).
The debate continues!
Regarding chess skill, practice and talent,
http://csjarchive.cogsci.rpi.edu/Proceedings/2008/pdfs/p823.pdf is a neat one-page summary by Gobet on recent findings.
I found Grabner, Stern and Neubauer (2007) interesting. In a study of players rated between 1300 and 2400 they found that all players above 2000 had verbal and numerical IQ scores of at least 85-90, while players above 2200 had at least 110-115. But this looks to be the highest threshold; the highest-rated players did not have systematically higher IQs than mere masters.
So to become a titled player you'd better have a verbal and numerical IQ above 115, but once you do, practice and motivation are all that matters. The reason "verbal and numerical" is specified, is that the third subscale "figural" (visual) IQ was surprisingly not related to rating at all!
In a multiple regression analysis,
Chess-related performance motivation,
age entering a chess club and
number of tournament games were the three strongest factors predicting playing strength. So practice and motivation rule, but it's good to get an early start. Only one personality trait was significantly related to playing strength:
Emotion expression control, that is, the ability to maintan a poker face.
I'm tempted to criticize the authors for not including anyone higher than 2387 (not a very gifted level), but seeing that they decided to do their study in Austria, I have some sympathy with their predicament.
There are also interesting studies by Bilalic et al. from 2007 on intelligence and personality in chess-playing children, but I think I'll stop now!