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I thought I will jump in and offer my 2 cents worth. The junior in question seems quite close to my son's playing strength, 1400 Elo, if Kylemeister's conversion is accurate. My son's opening repertoire has largely stabilised, but deviating from Markovich's ideal. (Unfortunately he does not like the 2 Knights and yes, I know, the question is why....???). I had to think of what next to do with his training. He still gets a diet of tactics (CT-ART), Endgame (Silman's Complete Endgame Course, Karsten Muller;s Endgame DVDs and moving on to Dvoretsky's Endgame Manual next and with a bit of Polgar's engame exercises), playing through GM games from his opening repertoire (games collected from a database). He has an hour of coaching with a player of 2100 Elo strength. She and I discussed what to do in that hour. I think because of the brevity of the time and because it is only an hour a week, and because the above things can be done by my son at home, we have decided to focus on activities where the coach's obvious strength becomes an asset: 2100 Elo playing strength. For this term, the coach and I have agreed that she and my son will work through Vukovic's Art of Attacking Chess. Of course the main benefit is learning to attack which is important for a junior. But also, the coach is able to analyse some positions a little deeper with my son, thereby training and enhancing the skill of chess calculation and analysis and position evaluation. Similarly, I believe choosing a chess hero and working through the games (preferably using a source with lots of good annotations) will also facilitate similar learning. I think it is harder for the coach (and hard work) but ultimately you are teaching chess by showing chess calculations, analysis, ideas, etc. If you work in terms of blocks of time, say 10 weeks per block, then you could begin, eg, with Vukovic, then games collection, then endgame collection and so on and perhaps swing back in spiralling cycle. I remember reading Agdestein's book on Carlsen (Wonder Boy) (memory is a bit vague since I read it in a bookshop!), Carlsen spent a fair bit of time in coaching playing and analysing through games with his coach at the time (an IM but forgotten the name). Of course Agdestein also mentioned that Carlsen basically devoured Emms, black 1 e4 repertoire book on his own. I think the imperative here is time. You only have an hour a week. Most effective use of the time is actually to "show" chess by playing through GM games, analysing, calculating, strategical ideas, tactical motifs ... The main thing is that you are able to impart your chess knowledge, culture, history and facilitate the learning of calculation, analysis. To change the opening repertoire at this stage is going to be counter productive. Yes, it may be that the repertoire will have to change but you have to consider how to motivate the junior to change. I humbly suggest that repertoire change should only come later when you "know" your student much better, not only in chessic sense but also his personality and character. Supporting argument: If at 1400 level, openings do not matter, then it is "safe" to leave the opening repertoire alone and work on the chess (as explained above), Once the kid begin to improve (1700-1800), you can then introduce more open games variety of openings. Again, the consensus on this Forum seems to be that a player should only really have a serious repertoire when he/she is around 2200 and looking at an IM title. So the kid will still have time to "learn" open game openings. Yes, there is a downside in that the kid is still playing openings leading to closed positions etc and that learning chess should follow the biological principle, from simple to complex. However, we need to be flexible. In an ideal world, where the kid is presented to us as a tabula rasa, yes, Markovich's dictum should be followed. But, ...
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