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Very Hot Topic (More than 25 Replies) Starting Out: Coaching (Read 11304 times)
LeeRoth
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Re: Starting Out: Coaching
Reply #30 - 12/10/09 at 22:51:40
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kylemeister wrote on 12/10/09 at 20:04:42:
GabrielGale wrote on 12/10/09 at 05:07:08:

7) That is where my suggestion of playing through GM games of the openings of one's "repertoire" comes in. Playing through these games without really analysing in depth exposes the junior to themes in middlegame.  This is idea is not mine and I claim no credit but has been written up on the Forum many times. If the objection is that a 1400 junior would not be able understand GM games, then the question goes a begging: when does one start? when does one start learning to "plan" in a chess game? Besides it is not controversial that juniors learn best by mimicry. So playing through games hoping some of the themes will stick in the memory.


Well, what about what I would take to be the traditional approach, i.e. mainly studying annotated games from books?  (When I was at the sort of level we're talking about here, the earlier-mentioned book by Chernev was one of the ones I used.)  It's not that I think that such a player can't learn from games involving GMs, it's that I shudder at the thought of, say, a 1400 player clicking through Kramnik-Anand games from Chessbase. 


Exactly.  Well-annotated, simple, easily-understood games.  

This may not be directly on point, but there are some who believe that you should learn chess in chronological order.  Start with the simple games of the Morphy-Anderssen era, progress to the more sophisticated games of the Modern Era, then move on to Hypermodern Chess, the Dynamic Chess of the 1950s through the 1970s, and only then take on the more sophisticated stuff we have today where rules are often flouted.  I don't know if one needs to be quite so dogmatic about learning chess and there's certainly clear-cut examples from modern play that can substitute for the classics.  But I do think that there's some logic behind this "ontogeny recapitulates phylogeny" approach.  And I note that its an approach that Euwe recommended, and one that you would naturally follow if you worked your way through something like the Golden Treasury of Chess or My Great Predecessors.  And I can't help but think of a friend who says that he can understand chess up to Fischer, but that everything afterwards just becomes too difficult and confusing.


     
  
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Re: Starting Out: Coaching
Reply #29 - 12/10/09 at 21:15:59
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What to do with the hour?  Well, the hour is the time you model your own thinking so that the student can pick it up by way of imitation.  So it's perfectly fine to solve tactics or work on endings with the student, or play chess with him, so long as you amply express your own way of thinking about the game.  The point is not to blather on at length, but just to say stuff like, "Well now I am worried about the safety of my king" or "Well now I see that your center pawns are rickety, so I'm going to try to demolish them."  Stuff like that.

Thinking that's in a book is something the student can pick up any time.  It's the thinking that's in your head that is to be shared.  Your thinking may not be as good as Sokolov's or someone's, but the way human beings work, they much more readily pick up behavior that is modeled to them directly than what comes second hand, like in a book.  Personally I think that even televised material is a poor second best to whatever the magic is that happens between an in-the-flesh teacher and his students.

This is the way even higher math is taught, you know?  A guy stands at the board and jumps through the notation, gabbing about how he thinks about it while he does it.  The student learns to imitate the activity modeled by the teacher.

It's a critical misunderstanding of what education is all about to think that it's about communicating bits of knowledge, until finally all the bits of knowledge have been sent down the wire.  It's about modeling a ways of thinking.  What the student picks up is a whole lot more useful, powerful, and difficult to express neatly than a basket full of information bits.
  

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Re: Starting Out: Coaching
Reply #28 - 12/10/09 at 20:04:42
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GabrielGale wrote on 12/10/09 at 05:07:08:

7) That is where my suggestion of playing through GM games of the openings of one's "repertoire" comes in. Playing through these games without really analysing in depth exposes the junior to themes in middlegame.  This is idea is not mine and I claim no credit but has been written up on the Forum many times. If the objection is that a 1400 junior would not be able understand GM games, then the question goes a begging: when does one start? when does one start learning to "plan" in a chess game? Besides it is not controversial that juniors learn best by mimicry. So playing through games hoping some of the themes will stick in the memory.


Well, what about what I would take to be the traditional approach, i.e. mainly studying annotated games from books?  (When I was at the sort of level we're talking about here, the earlier-mentioned book by Chernev was one of the ones I used.)  It's not that I think that such a player can't learn from games involving GMs, it's that I shudder at the thought of, say, a 1400 player clicking through Kramnik-Anand games from Chessbase. 
  
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Re: Starting Out: Coaching
Reply #27 - 12/10/09 at 09:30:36
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If he is motivated, you could teach him how to improve his game, while he does not have a trainer around, to begin with. This is for example how to analyse his games. Than his effective study time will be much greater. When he learned that you could go more deeply in certain positions and his weaknesses.
If he is not motivated, why train him? You will waist his and your time.
  
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Re: Starting Out: Coaching
Reply #26 - 12/10/09 at 09:13:38
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@gabrielgale:

Imo your basically wrong about the role of a trainer. His task is supporting the self-learning process.

The first task in the process of training is defining a common goal between trainer and trainee. It really helps to see the process of training from the starting point as a contract. So the first question is: What does the trainee want to do? The second question is: What is in the repertoire of the trainer to support this?

Excluding tactics is as good as excluding anything else. Iirc (please don't slaughter me if some detail is wrong, but the idea is correct) wrote Nimzowitsch in Mein System that someone studying the isolated pawn structure will learn a lot more: tactics, the opening leading to those structures, endgames, hanging pawn center, ...

You rely on the self-controlled learning process of the trainee. So it is a good attitude to trust him. He will ask questions giving room for a productive process on both sides. It happens every day. 

Dan Heisman started his chesscafe series Novice Nook with two columns pointing (above else) to the fun of learning and the thought process. Thinking is the main tool of chess players. So working on this tool could be the prior task? 
  

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Re: Starting Out: Coaching
Reply #25 - 12/10/09 at 05:58:34
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I don't think the question should even be limited to 1400 or junior unless we are answering the original posters question only. I suggest that the time with a coach is precious as you reiterated... one hour should be utilized to its maximum degree.
  
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Re: Starting Out: Coaching
Reply #24 - 12/10/09 at 05:07:08
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trw wrote on 12/08/09 at 17:09:11:
kylemeister wrote on 12/08/09 at 16:28:22:
I think that having a 1400 player "play over grandmaster games in his opening repertoire collected from a database" sounds pretty odd.  Same for the idea (which seems to be approximately the opposite extreme) that "one shouldn't have a serious opening repertoire until one is 2200 and looking at IM." 


I didn't say you shouldn't have a serious repertoire until you are 2200. I said you shouldn't be wasting your little time with a coach on that subject area. Tactics, endgames and planning are more important subjects to do with the coach first.


@trw, I think kylemeister was referring to my post.

OK, I think lets make some things clear:
1) To improve, whether a junior or and adult, there has to be self-motivation, self-discipline, and self-learning;
2) Self-learning includes those things such as tactics, patterns recognition (which may or may not be the same or similar thing), endgame theory (from basic to whatever level is appropriate).
3) These things can and should be done by the junior on his/her own time.
4) We are now speaking of how best to use the one hour of coaching.
5) Even the Great Oz says that a bit of theory is required for playing at 1400 level.
6) From experience, majority of juniors falters once they have played their 10-moves or so of opening theory. They only have the general rules of opening to guide them, eg, development, centre control, king safety and even then, one could say that those are exhausted by the 10th move. They are then reliant on tactical nous. That is where tactics and pattern recognition comes in;
7) That is where my suggestion of playing through GM games of the openings of one's "repertoire" comes in. Playing through these games without really analysing in depth exposes the junior to themes in middlegame.  This is idea is not mine and I claim no credit but has been written up on the Forum many times. If the objection is that a 1400 junior would not be able understand GM games, then the question goes a begging: when does one start? when does one start learning to "plan" in a chess game? Besides it is not controversial that juniors learn best by mimicry. So playing through games hoping some of the themes will stick in the memory.
8) This is adapted from Aagaard's Excelling at Chess where he speaks of learning an opening by collecting games, looking at the endgames resulting from the games, then move backwards to looking at the middlegame, then only one learn the opening as such unless of course I have misunderstood him.

In addition, this is only part of the  whole training regime.

Notwithstanding the above, I believe the main question is this: How best to use the one hour a week between an experienced coach and the improving (say 1400-1600) junior?

My humble suggestion is that all those usual advice on improvement, such as tactics, tactics, and tactics, and engames, and pattern recognition can be and should be doen by the junior himself/herself.

That leaves the question what to do in the hour? My suggestion is to utilise the coach's playing experience and strength on topics such as planning, calculation, analysis. 

Vukovic was just an example and whether it is suitable for a 1400, that is another question. If yes, too advanced, then perhaps, Plaskett, Starting Out: Attacking Play?

I did say that the topics can be repeated in a ascending spiral which takes into account the juniors' gradual improvement and playing sophistication.
  

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Re: Starting Out: Coaching
Reply #23 - 12/09/09 at 03:58:30
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My advice: Buy a copy of 'Chess Instructor 2009/2010' from New In Chess, and read it cover to cover. Obviously there will be a lot of disagreement between this book and what you read here, in which case you can make up your own mind on which advice is more correct or suitable.
  

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Re: Starting Out: Coaching
Reply #22 - 12/08/09 at 22:57:45
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katar wrote on 12/08/09 at 22:45:56:

To me, the student's own games are indispensable because they serve as an objective reference point-- what are the kid's strengths/weaknesses??  Only a stronger player can pinpoint weaknesses and focus improvement efforts to address them with concentrated focus.  This is certainly the fastest way to improve IMO, in any endeavor in life. Without utilizing the student's own games, the training occurs in a vacuum.

This is true, but there is also an opposite danger of too much of the training time being taken up by looking at one's own mediocre play. This should only be the diagnosis/evaluation part of training, and presupposes that the trainer or the student will then find and seriously study good material in the areas that need work.

I believe firmly that getting lots of good patterns into one's (unconscious) long-term memory is the best way to improve. You are only potentially as good as the best chess you look at on a regular basis!
  

Improvement begins at the edge of your comfort zone. -Jonathan Rowson
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Re: Starting Out: Coaching
Reply #21 - 12/08/09 at 22:45:56
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kylemeister wrote on 12/07/09 at 22:57:56:
There's an evident problem with the idea of picking his brain regarding what he was planning, what other moves he considered etc. in games played at an average of something like 10 seconds per move.  Maybe a common problem these days.  One prospective student of mine didn't have any recent tournament games, but proposed using his ICC blitz games as lesson material.  

I think there must be something wrong/missing with this picture of the kid's strength vis-a-vis his playing experience.

The OP said the student plays mostly G/15-- although this is still too fast, it is quite different than throwaway blitz.  To me, the student's own games are indispensable because they serve as an objective reference point-- what are the kid's strengths/weaknesses??  Only a stronger player can pinpoint weaknesses and focus improvement efforts to address them with concentrated focus.  This is certainly the fastest way to improve IMO, in any endeavor in life. Without utilizing the student's own games, the training occurs in a vacuum.

I disagree about the suggestion re Art of Attack.  I think a 1400 is not ready for this (and should not be the main priority anyway!).  Also, a student can find his own way thru an instructive textbook-- but a Socratic dialogue provides an interactive experience that only a live teacher can provide.

I do agree with Markovich, the Great Oz, in that you should completely thrash the kid if you do happen to play him a training game.  "Going easy" will undermine the student's confidence in the teacher.

With one hour a week i fear that any discussions of openings-- other than simply brief suggestions-- would be wasted time.
  

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Re: Starting Out: Coaching
Reply #20 - 12/08/09 at 17:13:36
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trw wrote on 12/08/09 at 17:09:11:


I didn't say you shouldn't have a serious repertoire until you are 2200. I said you shouldn't be wasting your little time with a coach on that subject area. Tactics, endgames and planning are more important subjects to do with the coach first.

@ Stigma, I misunderstood you clearly from this new post.


Oh, I suppose I disagree.  The whole thing is, what will help this player win his games?  Teaching a few key openings variations on the order of 10 moves deep or so can be useful to players of a certain strength.  That's not what most people would call theory, I admit, but it is the start of theory.
  

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Re: Starting Out: Coaching
Reply #19 - 12/08/09 at 17:09:11
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kylemeister wrote on 12/08/09 at 16:28:22:
Playing the Open Sicilian while never castling queenside or moving your f-pawn ...that would be some trick indeed.

I think that having a 1400 player "play over grandmaster games in his opening repertoire collected from a database" sounds pretty odd.  Same for the idea (which seems to be approximately the opposite extreme) that "one shouldn't have a serious opening repertoire until one is 2200 and looking at IM." 


kylemeister wrote on 12/08/09 at 16:28:22:
Playing the Open Sicilian while never castling queenside or moving your f-pawn ...that would be some trick indeed.

I think that having a 1400 player "play over grandmaster games in his opening repertoire collected from a database" sounds pretty odd.  Same for the idea (which seems to be approximately the opposite extreme) that "one shouldn't have a serious opening repertoire until one is 2200 and looking at IM." 



I didn't say you shouldn't have a serious repertoire until you are 2200. I said you shouldn't be wasting your little time with a coach on that subject area. Tactics, endgames and planning are more important subjects to do with the coach first.

@ Stigma, I misunderstood you clearly from this new post.
  
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Re: Starting Out: Coaching
Reply #18 - 12/08/09 at 16:28:22
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Playing the Open Sicilian while never castling queenside or moving your f-pawn ...that would be some trick indeed.

I think that having a 1400 player "play over grandmaster games in his opening repertoire collected from a database" sounds pretty odd.  Same for the idea (which seems to be approximately the opposite extreme) that "one shouldn't have a serious opening repertoire until one is 2200 and looking at IM." 
  
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Re: Starting Out: Coaching
Reply #17 - 12/08/09 at 11:27:12
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trw wrote on 12/08/09 at 06:56:19:
Stigma wrote on 12/08/09 at 03:24:08:
Certainly the player/coach-me of today would hate the opening "repertoire" of old beginner-me of 12 years ago and try to change it! I don't know if beginner-me would have listened though... Smiley

The trouble with dictating openings is that selecting one's own openings gives people a sense of individuality and creativity. Take that away and some will lose motivation for chess. On the other hand, as a coach if you think the student plays totally the wrong openings he needs to get better, you can't just keep quiet about it.

I currently tend towads a compromise: Give the student a choice, but rig the choice so that in reality all the options are close to the optimal playing style (or the position types the student needs exposure to).

Ï've also found that showing games by famous players in an opening can be very motivating. "Look at all these marvellous Fischer games against the Najdorf!" is a lot more effective than "Play the Sozin because you're not strong enough to try the more sophisticated main lines".


you would be a perfect example of breaking my #2. Your strong bias for your own openings makes you think they are the only openings. Much more, you miss the obvious that opening study below master level is best done on a person's own time anyways as it is a waste of precious time with the coach.

It's not about a bias for "my own openings" at all. The openings I actually play myself are often too complex or difficult to recommend to improving players (that's why I play them - they are difficult for both sides). I'm not necessarily saying I would spend a lot of precious time on openings either, rather send the student some suggestions and let him decide and study on his own time if he's motivated to do that. 

For example I have a low-rated student who blunders frequently and maybe for that reason wanted to stop playing 1.e4 and move to the safer 1.c4. Now this is totally the wrong reason for dropping 1.e4: A cop-out from becoming a consistent "tactically safe" player. A bit like "specializing" in slow movements on the piano because you can't be bothered to work on your scales. But he seemed so keen on 1.c4 that I agreed to a deal: He's allowed to study and play 1.c4 if he also varies with 1.e4; a compromise between motivation and exposure to tactical positions.

Another student is a strong tactician compared to his peers, but still has an irrational fear of the dynamic (or "unsafe" as he calls them) positions which I can see would complement that strength. He plays the Open Sicilian but doesn't want to ever castle queenside OR move his f-pawn, which makes it virtually impossible to find suitable, ambitious lines. As black I've recommended a switch from the Italian 3...Bc5 to the Two Knights 3...Nf6, but he hesitates for the same reason. Surely you agree trw that if I simply accept these limitations I have failed as a coach?

Btw. how strong are you? I think from about 1800 on up people should play anything they like (apart from self-handicapping "offbeat" or "all gambits" repertoires) - but my job as a coach usually is to get them to that level as fast as possible.
  

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Re: Starting Out: Coaching
Reply #16 - 12/08/09 at 09:59:48
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trw wrote on 12/08/09 at 06:56:19:
Stigma wrote on 12/08/09 at 03:24:08:
Certainly the player/coach-me of today would hate the opening "repertoire" of old beginner-me of 12 years ago and try to change it! I don't know if beginner-me would have listened though... Smiley

The trouble with dictating openings is that selecting one's own openings gives people a sense of individuality and creativity. Take that away and some will lose motivation for chess. On the other hand, as a coach if you think the student plays totally the wrong openings he needs to get better, you can't just keep quiet about it.

I currently tend towads a compromise: Give the student a choice, but rig the choice so that in reality all the options are close to the optimal playing style (or the position types the student needs exposure to).

Ï've also found that showing games by famous players in an opening can be very motivating. "Look at all these marvellous Fischer games against the Najdorf!" is a lot more effective than "Play the Sozin because you're not strong enough to try the more sophisticated main lines".


you would be a perfect example of breaking my #2. Your strong bias for your own openings makes you think they are the only openings. Much more, you miss the obvious that opening study below master level is best done on a person's own time anyways as it is a waste of precious time with the coach.


Well this looks a bit odd. You assume that a coach that works on opening study is wasting your time. 

But stigma clearly states 

"On the other hand, as a coach if you think the student plays totally the wrong openings he needs to get better, you can't just keep quiet about it."

Why take up coaching if your are not willing to listen? I would imagine that one of the main reasons to take coaching lessons is because the coach will spot your weaknesses and give advise on what to improve. 

If you are not willing to at least take that advise in account then perhaps you are the one that is baised toward certain openings. 

  
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