GeneM wrote on 10/06/10 at 02:32:01:
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ErictheRed wrote on 10/05/10 at 21:00:50:
Yermo is incredibly honest about ... Kind of like those old Capablanca vs. Patzer games, except played with modern openings and ideas about dynamism.
EricTheRed:
A question for you...
Can you summarize or define in a sentence or two exactly what Yermo means when he uses the chess term 'dynamism'?
Is it mostly -- A position that can be transformed quickly has more dynamism than a position that cannot be transformed quickly? .
Actually, I don't think Yermolinsky uses the term "dynamism," that was my own term to try to capture the differences in chess style between "average" masters back in the 1920s and average masters today. I'm currently working through
How to Play Dynamic Chess by Valeri Beim, which is probably why I chose the word dynamic. Anyway the point is that, in my opinion, the games by Yermolinsky vs. a 2300 player are often times more relevant than a lot of those old Capablanca vs. Weaker Player games.
Of course, I respectfully disagree with Smyslov_Fan. He gives a tremendous amount of "other concrete advice," like how to play vs. the Grand Prix, a lot of insight into the White side of the Grunfeld, the Moscow Semi-Slav with 6.Bxf6 Qxf6 7.Qc2!?, as Black against the London, as Black against the Fianchetto Grunfeld, as Black in the Richter-Rauzer, etc. And I learned a lot from Janowsky-Capablanca game. In fact, he doesn't go into the opening at length at all (he briefly mentions that 4...Bf5 is dubious due to 5.cd cd 6.Qb3 and more or less leaves it at that), and uses the game for its instruction value in similar "Queen's standoff" type positions where White plays Qb3 and Black responds ...Qb6. He also shows game fragments where he himself misplayed those "Queen's standoff" positions (by mistiming a pawn exchange) because they weren't really explained in the classic literature. I thought that section was fantastically helpful.
As with all books, its usefulness depends on the reader's prior knowledge. Personally, I found that my opening repertoire matched a tremendous amount of the material in the book; if you're a 1.e4 player, for instance, you won't find as much useful stuff in there.
But I think the best thing about it is the chess analysis/commentary. It's one of the most honest books I've ever seen in that respect, Yermolinsky tries to explain why he chose certain moves when others looked plausible, he tells the reader when he missed something, etc. That "behind the scenes" look at the thought process of a strong player is priceless.