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Very Hot Topic (More than 25 Replies) Spanish repertoire (Read 375053 times)
TN
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Re: Spanish repertoire
Reply #225 - 08/24/11 at 21:26:12
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SWJediknight wrote on 08/24/11 at 21:08:51:
I thought White was meant to be a bit better after 3...Bc5 4.c3 f5 5.exf5, while 4...Nf6 is currently looking dodgy due to the 5.Nxe5 line (Markovich)- does the objection lie in 4...Nge7 or 4...Qf6?


If you look at the PGN file I posted you'll see that the 5.Nxe5 arises after 3...Bc5 4.0-0 Nf6 (3...Nf6 4.0-0 Bc5 in the file) 5.Nxe5. And based on the current analysis it looks like this may not be enough for an edge either after 5...Nxe4. After 3...Bc5 4.c3, the problem is in 4...Nf6 when according to the PGN files 5.d4 ed4 6.e5 Nd5 gives Black equality.

Maybe we should consider 4.Nxe5 which was suggested by Greet in 'Play the Ruy Lopez', though since only one decent player (Radulski) has played it since the publication of the book I don't like our chances of proving an edge for White here.

The other possibility is to leave 3...Bc5 and move on to other lines. It would be nice to have some analysis proving += after 3...d6, 3...g6 and 3...Nd4.
  

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SWJediknight
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Re: Spanish repertoire
Reply #224 - 08/24/11 at 21:08:51
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I thought White was meant to be a bit better after 3...Bc5 4.c3 f5 5.exf5, while 4...Nf6 is currently looking dodgy due to the 5.Nxe5 line (Markovich)- does the objection lie in 4...Nge7 or 4...Qf6?
  
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TN
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Re: Spanish repertoire
Reply #223 - 08/24/11 at 20:20:36
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So is this project dead because of 3...Bc5?  Sad
  

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Re: Spanish repertoire
Reply #222 - 08/24/11 at 10:00:22
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I'd like to suggest that against 3...a6 we have a brief outline of how to play 4.Bxc6 as well as the most popular move, 4.Ba4. Gustafsson stated on his DVD that he thought the Exchange was as good as try for an advantage as 4.Ba4. Admittedly I find this opinion a bit peculiar, but Gustafsson knows much more about the Spanish than I do. A model game for White against each major answer to the Exchange Variation should be sufficient for our purposes. 

Of course we still have the remaining 3rd move alternatives to examine, but I recommend that we cover an alternative to the absolute main lines briefly so that players who do not like 4.Ba4 Nf6 5.0-0 Be7 6.Re1 for whatever reason will still find the ChessPub Forum coverage useful.


I have done this; see the PGN file.
  

SpanishRepertoire_001.pgn ( 31 KB | Downloads )

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TN
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Re: Spanish repertoire
Reply #221 - 08/19/11 at 17:13:53
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Stefan Buecker wrote on 08/19/11 at 17:07:07:
TN wrote on 08/19/11 at 16:59:04:
Of course we still have the remaining 3rd move alternatives to examine, [...]

In your file 3...h6 was missing, by the way. Just saying...


Grin
  

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Stefan Buecker
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Re: Spanish repertoire
Reply #220 - 08/19/11 at 17:07:07
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TN wrote on 08/19/11 at 16:59:04:
Of course we still have the remaining 3rd move alternatives to examine, [...]

In your file 3...h6 was missing, by the way. Just saying...
  
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TN
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Re: Spanish repertoire
Reply #219 - 08/19/11 at 16:59:04
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I'd like to suggest that against 3...a6 we have a brief outline of how to play 4.Bxc6 as well as the most popular move, 4.Ba4. Gustafsson stated on his DVD that he thought the Exchange was as good as try for an advantage as 4.Ba4. Admittedly I find this opinion a bit peculiar, but Gustafsson knows much more about the Spanish than I do. A model game for White against each major answer to the Exchange Variation should be sufficient for our purposes. 

Of course we still have the remaining 3rd move alternatives to examine, but I recommend that we cover an alternative to the absolute main lines briefly so that players who do not like 4.Ba4 Nf6 5.0-0 Be7 6.Re1 for whatever reason will still find the ChessPub Forum coverage useful.
  

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Re: Spanish repertoire
Reply #218 - 08/19/11 at 16:52:25
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TN wrote on 08/19/11 at 16:38:17:
I have a PGN file with all of the analysis from this thread so far. I have attached it to this post.

Excellent work, TN, thanks!
  
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TN
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Re: Spanish repertoire
Reply #217 - 08/19/11 at 16:38:17
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I have a PGN file with all of the analysis from this thread so far. I have attached it to this post.

Unfortunately I won't be able to keep up the analysis/maintenance work as I have a tournament over the next week or two. 

  

SpanishRepertoire.pgn ( 19 KB | Downloads )

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Re: Spanish repertoire
Reply #216 - 08/19/11 at 16:13:58
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TN wrote on 08/19/11 at 06:44:47:
This looks fairly convincing to me. Of course Black has a few alternatives, but I doubt they change the evaluation of the position. 

I suggest that we look at the 3...g6 (Smyslov) variation now. I don't have any books with me at the moment, but have a note in my files that Fressinet-Jussupow, blitz 2007 is a route to an edge for White. However Sokolov's 5...a6 (against Kosintseva in 2010) looks better, since after the natural moves 6.Ba4 Bg7 7.cd4 b5 8.Bb3 Nge7 we have been tricked into a line of the Cozio while Black has dodged 3...Nge7 4.c3. I also have Psakhis-Smyslov, Rostov on Don 1993, as being better for White after 13...b5, but looking at it again I can't see why Black is worse.

About the latter position, Sokolov writes: "13...b5 and the position was sharp in Psakhis - Smyslov, Rostov on Don 1993, though with a pawn majority on the kingside and the Black king looking somewhat more vulnerable, White should have the better chances." In the ChessBase database, the comment by Wedberg also has it as 13.Qe3 +=. 
However, I like the gambit 4.d4 exd4 5.c3 more. 

Sorry, but in the Cordel Variation 3...Bc5 = I see no glimmer of hope.
  
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Re: Spanish repertoire
Reply #215 - 08/19/11 at 14:37:35
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TN, would you prepare a pgn file on the Cozio along the lines of the one that MNb has prepared on the Jaenisch?  I don't mind moving on to Smyslov's, but I note that we have yet to crack the hard nut of the Classical.
  

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Re: Spanish repertoire
Reply #214 - 08/19/11 at 06:44:47
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This looks fairly convincing to me. Of course Black has a few alternatives, but I doubt they change the evaluation of the position. 

I suggest that we look at the 3...g6 (Smyslov) variation now. I don't have any books with me at the moment, but have a note in my files that Fressinet-Jussupow, blitz 2007 is a route to an edge for White. However Sokolov's 5...a6 (against Kosintseva in 2010) looks better, since after the natural moves 6.Ba4 Bg7 7.cd4 b5 8.Bb3 Nge7 we have been tricked into a line of the Cozio while Black has dodged 3...Nge7 4.c3. I also have Psakhis-Smyslov, Rostov on Don 1993, as being better for White after 13...b5, but looking at it again I can't see why Black is worse.

  

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Re: Spanish repertoire
Reply #213 - 08/19/11 at 01:06:42
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TN wrote on 08/18/11 at 17:53:56:
Stefan Buecker wrote on 08/18/11 at 16:22:31:

TN, thanks for your 3...Nge7 4.Nc3 analyses. Sokolov's 2009 book doesn't consider 10.Qd2, he basically says (pp. 141-143) that lines like the following were the reason why he lost his interest in playing the Cozio: (1.e4 e5 2.Nf3 Nc6 3.Bb5 Nge7 4.Nc3 g6 5.d4 exd4 6.Nd5 Bg7 7.Bg5 h6 8.Bf6 Bxf6 9.Nxf6+ Kf8) 10.0-0 Kg7 11.Nd5 d6 12.Bxc6 Nxc6 13.Nxd4 Be6 14.Nb5! Bxd5 15.exd5 Ne5 16.f4 Nd7 17.f5! g5 18.f6+ Nxf6 19.Nd4 "and White gets a devastating attack". 

So if you are right (I haven't checked yet) that 10.Qd2 is only equal, is 10.0-0 the way to go? Sokolov's comment on 10.0-0: "Black has different ways to proceed - and defend, but the position is simply better for White and there is little Black can do to change this verdict."

There are still many open questions regarding 3...Bc5, and even 3...f5 remains playable (+=).


According to my files Black can equalise after 10.0-0 with 10...a6:

A) 11.Ba4 Kg7 12.Nd5 b5 13.Bb3 Nd5 14.ed5 (14.Bd5 Rb8 15.Nd4 Ne7 equal) 14...Na5 15.Qd4 Qf6 16.Qd2 Nb3 17.ab3 c5, equal.

B) 11.Bc6 dc6! 12.e5 c5, unclear.

C) 11.Bc4 Kg7 12.Qd2 (12.Nd5 d6 equal; 12.Nd4!? Ne5 13.Nf3 N7c6 14.Ne5 Qf6 15.Nf7 Rf8 16.e5 Qf4 17.Qd3 b5 18.Bb3 Rf7 19.Bf7 Qf7, equal) 12...Kf6! 13.Qf4 Nf5 14.ef5 (also possible is 14.Bd5 Kg7 15.ef5) 14...g5 with counterplay, for instance 15.Qg4 d5 16.Bd3 Kg7 17.Rae1 h5 18.Qg5 Qg5 19.Ng5 Kf6 20.f4 Bd7. 

I don't have Sokolov's book on me at the moment. I haven't checked this analysis since a year ago so I won't be surprised if there is some big improvement over the above analyses.

Instead of 18.Qxg5+, the retreat 18.Qg3! f6 19.Nh4 gives White a significant plus. More precise seems 15...Kg7 (instead of 15...d5) 16.h4! d5 17.Bd3 h5 18.Qxg5+ (now 18.Qg3 would be harmless: 18...g4 19.Ne5 Qd6) 18...Qxg5 19.hxg5 f6 20.Rae1 fxg5 21.Nxg5 Rf8 (21...Bd7 22.Ne6+ Bxe6 23.Rxe6 +=; 21...Nb4?? 22.Re7+ Kf6 23.Rf7+!! +-) 22.f4 Bxf5 23.Bxf5 Rxf5 24.Ne6+ Kf7 25.Nxc7 Rg8 26.Ne6 += with a slight edge in the ending.
  
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Re: Spanish repertoire
Reply #212 - 08/18/11 at 17:53:56
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Stefan Buecker wrote on 08/18/11 at 16:22:31:
TN wrote on 08/18/11 at 15:45:11:
Please reply if you have any improvements for White or Black over my analyses!  Smiley

TN, thanks for your 3...Nge7 4.Nc3 analyses. Sokolov's 2009 book doesn't consider 10.Qd2, he basically says (pp. 141-143) that lines like the following were the reason why he lost his interest in playing the Cozio: (1.e4 e5 2.Nf3 Nc6 3.Bb5 Nge7 4.Nc3 g6 5.d4 exd4 6.Nd5 Bg7 7.Bg5 h6 8.Bf6 Bxf6 9.Nxf6+ Kf8) 10.0-0 Kg7 11.Nd5 d6 12.Bxc6 Nxc6 13.Nxd4 Be6 14.Nb5! Bxd5 15.exd5 Ne5 16.f4 Nd7 17.f5! g5 18.f6+ Nxf6 19.Nd4 "and White gets a devastating attack". 

So if you are right (I haven't checked yet) that 10.Qd2 is only equal, is 10.0-0 the way to go? Sokolov's comment on 10.0-0: "Black has different ways to proceed - and defend, but the position is simply better for White and there is little Black can do to change this verdict."

There are still many open questions regarding 3...Bc5, and even 3...f5 remains playable (+=).


According to my files Black can equalise after 10.0-0 with 10...a6:

A) 11.Ba4 Kg7 12.Nd5 b5 13.Bb3 Nd5 14.ed5 (14.Bd5 Rb8 15.Nd4 Ne7 equal) 14...Na5 15.Qd4 Qf6 16.Qd2 Nb3 17.ab3 c5, equal.

B) 11.Bc6 dc6! 12.e5 c5, unclear.

C) 11.Bc4 Kg7 12.Qd2 (12.Nd5 d6 equal; 12.Nd4!? Ne5 13.Nf3 N7c6 14.Ne5 Qf6 15.Nf7 Rf8 16.e5 Qf4 17.Qd3 b5 18.Bb3 Rf7 19.Bf7 Qf7, equal) 12...Kf6! 13.Qf4 Nf5 14.ef5 (also possible is 14.Bd5 Kg7 15.ef5) 14...g5 with counterplay, for instance 15.Qg4 d5 16.Bd3 Kg7 17.Rae1 h5 18.Qg5 Qg5 19.Ng5 Kf6 20.f4 Bd7. 

I don't have Sokolov's book on me at the moment. I haven't checked this analysis since a year ago so I won't be surprised if there is some big improvement over the above analyses.
  

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Re: Spanish repertoire
Reply #211 - 08/18/11 at 16:22:31
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TN wrote on 08/18/11 at 15:45:11:
Please reply if you have any improvements for White or Black over my analyses!  Smiley

TN, thanks for your 3...Nge7 4.Nc3 analyses. Sokolov's 2009 book doesn't consider 10.Qd2, he basically says (pp. 141-143) that lines like the following were the reason why he lost his interest in playing the Cozio: (1.e4 e5 2.Nf3 Nc6 3.Bb5 Nge7 4.Nc3 g6 5.d4 exd4 6.Nd5 Bg7 7.Bg5 h6 8.Bf6 Bxf6 9.Nxf6+ Kf8) 10.0-0 Kg7 11.Nd5 d6 12.Bxc6 Nxc6 13.Nxd4 Be6 14.Nb5! Bxd5 15.exd5 Ne5 16.f4 Nd7 17.f5! g5 18.f6+ Nxf6 19.Nd4 "and White gets a devastating attack". 

So if you are right (I haven't checked yet) that 10.Qd2 is only equal, is 10.0-0 the way to go? Sokolov's comment on 10.0-0: "Black has different ways to proceed - and defend, but the position is simply better for White and there is little Black can do to change this verdict."

There are still many open questions regarding 3...Bc5, and even 3...f5 remains playable (+=).
  
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