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Very Hot Topic (More than 25 Replies) Spanish repertoire (Read 374968 times)
Markovich
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Re: Spanish repertoire
Reply #90 - 07/26/11 at 21:26:08
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MNb wrote on 07/26/11 at 20:39:49:


Would you mind incorporating the material I suggested concerning 4...Nf6 5.exf5 e4?

It appears then that the next order of Jaenisch business is 5...Nf6.

Further, someone could start thinking about 3...Bc5, where my view is that 4.c3 is strongest.





  

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Re: Spanish repertoire
Reply #89 - 07/26/11 at 21:15:13
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Stefan Buecker wrote on 07/26/11 at 19:09:55:




However, after 5...Bc5! 6.Nf5 Black has an attractive additional idea, overlooked in my first analysis (because of my weaker move-order): 6...d5! 7.Nxg7+ (7.exd5 Bxf5 8.Qe2+ Qe7 9.dxc6 Qxe1+ 10.Kxe2 0-0-0 comp., or 7.Qxd5 Qxd5 8.exd5 Bxf5 9.dxc6 b6 comp.) 7...Kf8, for example:

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(a) 8.Nf5 Bxf5 9.exf5 Nd4! and I like Black's attacking chances (so "adding" a5/Bb5 to the well-known Scotch line Nf5 can even be good for Black: Nd4 attacks the Bb5). 

(b) 8.Nh5 Qh4 9.Ng3 Nf6 10.Nc3 Ng4 11.Rf1 Nd4 12.Be3 Nxe3 13.fxe3 Qxh2 14.Nge2 Nxb5 15.Qxd5 Qh4+ 16.Kd2 Qe7 17.Nxb5 Be6 with complications. 



Stefan, with the greatest respect, could we finish up on 3...a5? We need to take view on it and move on, either that or put it aside for later. Since you are the putative exert on the subject, I suggest you analyze it and come back when you have a pgn showing White's best play against it.

I feel safe in saying that many people would be happy to put aside work on 3...a5 at this point in the project, if no ready demonstration of += is available.
  

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MNb
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Re: Spanish repertoire
Reply #88 - 07/26/11 at 20:39:49
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Markovich wrote on 07/26/11 at 21:26:08:
Would you mind incorporating the material I suggested concerning 4...Nf6 5.exf5 e4?

It's done.

Markovich wrote on 07/26/11 at 12:48:17:
Further after 3...f5 4.Nc3 Nf6 5.exf5 6.Ng5 d5 7.d3 h6 8.Ne6 Bxe6 9.fxe6 .Bb4 10.dxe4 dxe4 11.O-O Bxc3 12.bxc3 Qe7 13.Qe7

I have assumed you meant 13.Qe2.
« Last Edit: 07/26/11 at 21:54:35 by MNb »  

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Stefan Buecker
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Re: Spanish repertoire
Reply #87 - 07/26/11 at 19:09:55
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Markovich wrote on 07/26/11 at 11:31:31:
Stefan Buecker wrote on 07/26/11 at 08:10:10:
[...] That leaves 11...Qa5 12.Nb5 Bc5 13.Qxe4+ Kd8 14.Nd4 Re8 ... comp. (Sokolov). But 14.Nd4 is weak; imo 14.Qxb7 Rb8 15.Qxc7+ is +/-. 

11...Qa5 12.Nb5 Bc5 13. c3 +/- is my recollection of Ivanov and Kulagin, which I have unfortunately boxed away.

I had looked at 13.c3, 13.Qc4, 13.Rb1, in each case it is fair to write +/-. However, my line has the advantage to exchange queens, reducing Black's chances almost to zero. Looks more pragmatic to me, but of course 13.c3 isn't bad. 

Göran wrote on 07/26/11 at 15:44:33:

So far Houdini likes that line e.g. 6...c6  7.Be2 d5 8.exd5.
Any other thoughts which I may include in the pgn-file?

Which variation do you mean? Is this (1.e4 e5 2.Nf3 Nc6 3.Bb5 a5 4.d4 exd4 5.Nxd4 Nxd4 6.Qxd4) c6 7.Be2 d5 8.exd5? Looks positionally dubious for Black. I'd rather not take on d4 with the knight. 

fling wrote on 07/26/11 at 11:34:33:
Btw, back to the position. I would for sure pick White in this position.

That's why I gave 8...d6 as better. And in the meantime I've found another idea after 5...Bc5 (see below). 

Markovich wrote on 07/26/11 at 12:48:17:
1.e4 e5 2.Nf3 Nc6 3.Bb5 a5 4.d4 exd4 5.Nxd4 Qf6 may be worthy of consideration.

In my files I had in fact the move-order 5...Qf6 6.Nf5 Bc5, while 5...Bc5 6.Nf5 Qf6 only seemed to transpose. The move-order 5...Qf6 6.Nf5 could become "independent" after 6...g6 7.Ne3 Nge7 8.Nc3 Bg7, but this seems worse: 9.Ned5 Nxd5 10.Nxd5 Qd8 11.c3 0-0 12.h4!? and the fianchetto becomes a target for White. It makes more sense to combine a5 with Bc5. 

However, after 5...Bc5! 6.Nf5 Black has an attractive additional idea, overlooked in my first analysis (because of my weaker move-order): 6...d5! 7.Nxg7+ (7.exd5 Bxf5 8.Qe2+ Qe7 9.dxc6 Qxe1+ 10.Kxe2 0-0-0 comp., or 7.Qxd5 Qxd5 8.exd5 Bxf5 9.dxc6 b6 comp.) 7...Kf8, for example:

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(a) 8.Nf5 Bxf5 9.exf5 Nd4! and I like Black's attacking chances (so "adding" a5/Bb5 to the well-known Scotch line Nf5 can even be good for Black: Nd4 attacks the Bb5). 

(b) 8.Nh5 Qh4 9.Ng3 Nf6 10.Nc3 Ng4 11.Rf1 Nd4 12.Be3 Nxe3 13.fxe3 Qxh2 14.Nge2 Nxb5 15.Qxd5 Qh4+ 16.Kd2 Qe7 17.Nxb5 Be6 with complications. 

  
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Göran
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Re: Spanish repertoire
Reply #86 - 07/26/11 at 15:44:33
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Markovich wrote on 07/26/11 at 12:48:17:
1.e4 e5 2.Nf3 Nc6 3.Bb5 a5 4.d4 exd4 5.Nxd4 Qf6 may be worthy of consideration.

...

So far Houdini likes that line e.g. 6...c6  7.Be2 d5 8.exd5.
Any other thoughts which I may include in the pgn-file?

Will get back tomorrow and with an pgn-file for review.
  

What kind of proof is that?
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Re: Spanish repertoire
Reply #85 - 07/26/11 at 12:48:17
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1.e4 e5 2.Nf3 Nc6 3.Bb5 a5 4.d4 exd4 5.Nxd4 Qf6 may be worthy of consideration.

Further after 3...f5 4.Nc3 Nf6 5.exf5, we should include consideration of 5...e4, a move not so simple to deal with otb. Sokolov argues persuasively that 6.Ng5 d5 (6...Nd4 7.d3) 7.d3 is the way to go. Quoting him, 7...h6 (7...Bf5 8.dxe4 dxe4 9.Qe2 Bd6 10. Bxc6 bxc6 11.Qc4 Kd7 (11...Qd7 12.Ngxe4) 12.Be3 Qg8 !3.Qa4 +/- Przepiorka - Tarrasch, Nuremberg 1906) 8.Ne6 Bxe6 9.fxe6 Qd6 (9...Bb4 10.dxe4 dxe4 11.O-O Bxc3 12.bxc3 Qe7 13.Qe7 +/-) 10. dxe4 Qxe6 11.O-O dxe4 12.Nxe4! and he goes on, but it is perhaps sufficient to stop here.

Versus 3...Bc5, I would advocate 4.c3.
« Last Edit: 07/26/11 at 15:29:57 by Markovich »  

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MNb
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Re: Spanish repertoire
Reply #84 - 07/26/11 at 11:36:16
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Markovich wrote on 07/26/11 at 11:31:31:
11...Qa5 12.Nb5 Bc5 13. c3 +/- is my recollection of Ivanov and Kulagin, which I have unfortunately boxed away.

Don't bother; it's no big deal to include both.
  

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Re: Spanish repertoire
Reply #83 - 07/26/11 at 11:34:33
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Stefan Buecker wrote on 07/26/11 at 11:04:06:
Jupp53 wrote on 07/26/11 at 10:02:01:
@ 3. - a5

Maybe there's a second line to explore:

1. e4 e5 2. Nf3 Nc6 3. Bb5 a5 4. d4 exd4 5. Nxd4
a)5. .. Nf6  6. O-O Bc5 7. Be3 Bb6 8. Nc3 O-O 9. h3 Re8 10. Re1 and Rybka 4 offers .41
b) 5. .. Bc5 6. Nf5 Qf6 7. Nc3 Nge7 8. O-O O-O 9. Be3 d6 10. Nxe7+ Qxe7 11. Bxc5 dxc5 and though Houdini offers only .26 after 12. Bxc6 I'd prefer this with white more than an engine would do.

If there only were a possibility to ask Tarrasch what he thinks about your main line, after 12...bxc6. He once wrote that he doesn't really care about the pawn formation, what really mattered are the pieces. 

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But a while ago I discovered a rule of my own: when you have more open files than rooks, the charm of open files fades a bit.

There is even a third line: 4.c3 f5!, when White's Nb1 can no longer jump to its best square c3.


Very interesting rule. However, as you say, I guess the emphasis has to be on "a bit", since not every file is useful.

Anyway, just without analysing the move, I think 4.d4 looks really critical from a "classical" perspective - i.e. meeting a flank move with a counter in the center. After all, White's original idea in the Spanish has to be considered increased control over d4 and e5, no?

Btw, back to the position. I would for sure pick White in this position.
  
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Re: Spanish repertoire
Reply #82 - 07/26/11 at 11:31:31
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Stefan Buecker wrote on 07/26/11 at 08:10:10:
MNb wrote on 07/26/11 at 07:25:08:
Stefan Buecker wrote on 07/26/11 at 06:49:09:
However, 16...Nf6? in his analysis is a mistake. Black equalizes with 16...Qg8! 17.Qb3 Nc5 18.Nxc5 Bxc5 19.Rf7 Rd7 20.Rxd7 Qxb3 21.axb3 Kxd7 22.Ra4 Re8 23.b4 Bb6 24.Ra3 Rf8 25.Rh3 Bf2+ 27.Ke2 Bg1.

Granted. But 24.b3 (finally developing that Bishop) looks like an improvement to me. If Black follows the same plan with 24...Rf8 White has 25.b5 Rf2 26.bxc6+ bxc6 27.Rxe4 Rxg2 28.Ba3. So += still seems fair to me.
Do you have something better for White earlier on perhaps?

24.b3 Re5 is completely equal. 
You can recommend 13.0-0 Qc5+ when Sokolov only considers 14.Kh1? Qxc2 ... "with a better game for Black" (Sokolov). Instead, 14.Rf2! Qxc2 (else 15.Nc3) 15.d4 +=. I guess that Sokolov's attempts to prove comp. for two pawns have bigger flaws, but for our purpose one sound extra pawn is enough. Call it += since Black has a little something for it. 

That leaves 11...Qa5 12.Nb5 Bc5 13.Qxe4+ Kd8 14.Nd4 Re8 ... comp. (Sokolov). But 14.Nd4 is weak; imo 14.Qxb7 Rb8 15.Qxc7+ is +/-. 


11...Qa5 12.Nb5 Bc5 13. c3 +/- is my recollection of Ivanov and Kulagin, which I have unfortunately boxed away.
  

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Re: Spanish repertoire
Reply #81 - 07/26/11 at 11:04:06
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Jupp53 wrote on 07/26/11 at 10:02:01:
@ 3. - a5

Maybe there's a second line to explore:

1. e4 e5 2. Nf3 Nc6 3. Bb5 a5 4. d4 exd4 5. Nxd4
a)5. .. Nf6  6. O-O Bc5 7. Be3 Bb6 8. Nc3 O-O 9. h3 Re8 10. Re1 and Rybka 4 offers .41
b) 5. .. Bc5 6. Nf5 Qf6 7. Nc3 Nge7 8. O-O O-O 9. Be3 d6 10. Nxe7+ Qxe7 11. Bxc5 dxc5 and though Houdini offers only .26 after 12. Bxc6 I'd prefer this with white more than an engine would do.

If there only were a possibility to ask Tarrasch what he thinks about your main line, after 12...bxc6. He once wrote that he doesn't really care about the pawn formation, what really mattered are the pieces. 

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But a while ago I discovered a rule of my own: when you have more open files than rooks, the charm of open files fades a bit. So I don't know. It might be +=, or not. Anyway, I'd prefer to play 8...d6 (instead of your 8...0-0), e.g. 9.Nxe7 Qxe7 10.Nd5 Qd8, about +0.30. 

There is even a third line: 4.c3 f5!, when White's Nb1 can no longer jump to its best square c3.
  
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Re: Spanish repertoire
Reply #80 - 07/26/11 at 10:37:02
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Quote MNb "I agree. I will post a PGN-file of 3...f5 every two pages, unless there are no developments. Now if somebody could do the same with 3...a5 ?"

I will put it into .pgn and publish it tomorrow morning.
  

What kind of proof is that?
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Re: Spanish repertoire
Reply #79 - 07/26/11 at 10:24:10
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fling wrote on 07/26/11 at 09:28:10:
Göran wrote on 07/26/11 at 09:12:51:
Relic from yesterday.

edit: 5.Nxd4 ed4 6.Bc4 (+0,41) c6 7.a4 (7.a3) could be a bit high so I've started an IDeA project with 7,a4, 7.a3 and 7.Re1 (Houdini's current suggestion)


Sorry to interrupt, but this thread is so interesting that I have to say something.

I think that we need to either refer to the original post, or post whole lines or PGN-files to clearly keep track of what the analysis is about. It will make the discussion quicker IMO.

We already have several posts asking "what do you actually mean?". Normally, this is probably ok, but we are already at page 5 of the thread and only a few lines have been discussed.


Agree to that. 
  

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MNb
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Re: Spanish repertoire
Reply #78 - 07/26/11 at 10:21:02
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Stefan Buecker wrote on 07/26/11 at 08:10:10:
24.b3 Re5 is completely equal. 
You can recommend .....
That leaves .... 

I'll add your lines as soon we have reached the next page. They look good enough.

fling wrote on 07/26/11 at 09:24:18:
OT: What was the solution?

Put sidelines, subsidelines etc. between () and not between [].
You can get an example by klicking the quote button of a post with an analyzed game.

fling wrote on 07/26/11 at 09:28:10:
I think that we need to either refer to the original post, or post whole lines or PGN-files to clearly keep track of what the analysis is about. It will make the discussion quicker IMO.

I agree. I will post a PGN-file of 3...f5 every two pages, unless there are no developments. Now if somebody could do the same with 3...a5 ?
  

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Re: Spanish repertoire
Reply #77 - 07/26/11 at 10:02:01
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@ 3. - a5

Maybe there's a second line to explore:

1. e4 e5 2. Nf3 Nc6 3. Bb5 a5 4. d4 exd4 5. Nxd4
a)5. .. Nf6  6. O-O Bc5 7. Be3 Bb6 8. Nc3 O-O 9. h3 Re8 10. Re1 and Rybka 4 offers .41
b) 5. .. Bc5 6. Nf5 Qf6 7. Nc3 Nge7 8. O-O O-O 9. Be3 d6 10. Nxe7+ Qxe7 11. Bxc5 dxc5 and though Houdini offers only .26 after 12. Bxc6 I'd prefer this with white more than an engine would do.
  

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Re: Spanish repertoire
Reply #76 - 07/26/11 at 09:43:48
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Göran wrote on 07/26/11 at 09:12:51:
Relic from yesterday.

[1.e4 e5 2.Nf3 Nc6 3.Bb5 a5 4.0-0 Nd4]
edit: 5.Nxd4 ed4 6.Bc4 (+0,41) c6 7.a4 (7.a3) could be a bit high so I've started an IDeA project with 7,a4, 7.a3 and 7.Re1 (Houdini's current suggestion)

Thanks. My old analysis of 7.Re1 goes: 7...b5 8.Bf1 Bc5 9.Qg4 Kf8 10.a4 d6 11.Qg3 b4 12.h3 h5 13.d3 h4 +0.30 (Ryb4). 

In an earlier post I had also given details after 7.a4. The final position (it was 14...Qb6, I think) might be relevant. 
  
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