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Very Hot Topic (More than 25 Replies) Queen's Gambit Repertoire (Read 77772 times)
fling
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Re: Queen's Gambit Repertoire
Reply #18 - 11/26/11 at 23:14:08
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TN wrote on 11/26/11 at 22:57:30:


I was thinking of going with 5.Nbd2 too based on one recent thread as well, but I haven't looked at the Albin in the last two years. 



I like 5.a3 as well.
  
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Re: Queen's Gambit Repertoire
Reply #17 - 11/26/11 at 22:57:30
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Smyslov_Fan wrote on 11/26/11 at 15:37:19:
I like the idea!

I disagree with TN's choice of e4 against the QGA, If we are to look at main lines, we should do so. The main line of the QGA, as practiced by GMs over the last decade is 1.d4 d5 2.c4 dc4 3.Nf3 Nf6 4.e3.  

While this is a minor point at this stage of the discussion, I believe that we should agree on a philosophy for the repertoire. Are we striving for an idiosyncratic repertoire, or one based on main lines?


Fair enough, I wasn't sure whether to suggest Schandorff's 3.e4 or the main line with 3.Nf3 Nf6 4.e3 so I gave both. 

Actually your question is quite an important one. The repertoire is based on playing the best moves as White. The aim is to show += in all variations. 

MNb wrote on 11/26/11 at 16:59:23:
TN wrote on 11/26/11 at 10:36:24:
c) 2...e5 3.de5 d4 4.Nf3 Nc6 5.g3 (5.Nbd2/5.a3 depending on our analysis)
I prefer 5.Nbd2, but I'll back this up as soon as TN indicates it's the Albin's turn.
Otherwise I'm quite happy that none of TN's main suggestions belong to my 1.d4 repertoire ... At the other hand that means that I won't have that much to contribute.


I was thinking of going with 5.Nbd2 too, based on one recent thread, but I haven't looked at the Albin in the last two years. 

  

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Re: Queen's Gambit Repertoire
Reply #16 - 11/26/11 at 19:03:56
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Well, I have looked at my earlier notes, and in Schandorff's Playing the Queen's Gambit and Vigorito's Play the Semi-Slav.

From what I've understood, in the Botvinnik mainline, 11. g3 is said to be more accurate than 11.exf6 because in the line played in Giri-Smeets, Black can play 13...Nxf6 instead of 13...Qb6 (and also 13...Bh6 and 13...Qc7 according to Schandorff). Just a side-note.

The line TN gives seems to lead to a draw after best play, as also 16. Rb1 does. At least I haven't found any ways to deviate for either side.

I noticed two games from this year:




I haven't seen any comments on these games except at Chessbase. Maybe there are some points that I have missed. The interesting thing is that both Schandorff and Vigorito gives the line in Giri-Smeets as good for White, but ends the analysis after 21.Be7.

Nakamura's deviation in a later round (not a novelty, if the database is correct, since the move was played in Zakhartsov-Michalczak, Guben 2011 earlier this year) might be the latest try. I wonder if he had an improvement on this this game?

EDIT: I have asked in an earlier Botvinnik-thread (Botvinnik-novelty) about the status of the Botvinnik. In that one, TonyRo says that he liked the Botvinnik better when it was dead! Well, that novelty is also to be considered, btw.

EDIT2:
Well, there is an easy improvement on Zakhartsov-Michalczak. White is winning in that game. Does this leave White better after 20.Qd2?
  
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Re: Queen's Gambit Repertoire
Reply #15 - 11/26/11 at 16:59:23
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TN wrote on 11/26/11 at 10:36:24:
c) 2...e5 3.de5 d4 4.Nf3 Nc6 5.g3 (5.Nbd2/5.a3 depending on our analysis)
I prefer 5.Nbd2, but I'll back this up as soon as TN indicates it's the Albin's turn.
Otherwise I'm quite happy that none of TN's main suggestions belong to my 1.d4 repertoire ... At the other hand that means that I won't have that much to contribute.
  

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Re: Queen's Gambit Repertoire
Reply #14 - 11/26/11 at 15:37:19
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I like the idea!

I disagree with TN's choice of e4 against the QGA, If we are to look at main lines, we should do so. The main line of the QGA, as practiced by GMs over the last decade is 1.d4 d5 2.c4 dc4 3.Nf3 Nf6 4.e3.  

While this is a minor point at this stage of the discussion, I believe that we should agree on a philosophy for the repertoire. Are we striving for an idiosyncratic repertoire, or one based on main lines?
  
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Re: Queen's Gambit Repertoire
Reply #13 - 11/26/11 at 13:23:16
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TN wrote on 11/26/11 at 13:02:04:
@Zwischenzugzwang

The reason for offering two different lines against the Triangle is because I want to avoid 1.d4 d5 2.c4 c6 3.Nc3 dc4 (the Argentinian Variation) which I think is equal for Black. But I haven't looked at this line in a while, so if White can prove an edge here then I'm happy to make the repertoire move 3.Nc3 (3...Nf6 4.Nf3) instead of 3.Nf3 Nf6 4.Nc3. 

@fling

I was thinking of starting with the Botvinnik Semi-Slav, because it is just about the sharpest choice for Black after 2.c4. When I last had a serious look at the Botvinnik I found an edge for White based on 1.d4 d5 2.c4 c6 3.Nc3 Nf6 4.Nf3 e6 5.Bg5 dc4 6.e4 b5 7.e5 h6 8.Bh4 g5 9.Ng5 hg5 10.Bg5 Nbd7 11.g3 Bb7 12.Bg2 Qb6 13.ef6 c5 14.d5 0-0-0 15.0-0 b4 16.Na4 Qb5 17.a3 ed5 18.ab4 cb4 19.Bf4, but theory has moved on a bit in this line since.

Edit: I've just added a PGN file, showing a few recent correspondence games. Although the position is probably a draw with best play, I think White has an edge in all variations, an opinion shared by Stohl in Yearbook 100.


I will look at this file when I have time later today. I posted quite recently here in the 1.d4 d5 forum about the Botvinnik, but got no answer.
  
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Re: Queen's Gambit Repertoire
Reply #12 - 11/26/11 at 13:20:29
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Zwischenzugzwang wrote on 11/26/11 at 13:16:38:
Oh, that's a misunderstanding. I didn't mean 1.d4 d5 2.c4 c6 3.Nc3, but rather (...) 2...c6 3.Nf3 e6 4.Nc3 and (...) 2...e6 3.Nc3 e6 4.Nf3.

So starting with the Botvinnik!? Quite heavy to begin with! But, TN, you are the boss.


Sure, I understand what you mean now. I don't think that this line gives White an advantage, but it can't hurt to examine it.

Yes, I figure it's best to start with the heaviest stuff and work our way down. In the worst case we can always put the Botvinnik discussion on hold and examine a different main line.
  

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Re: Queen's Gambit Repertoire
Reply #11 - 11/26/11 at 13:16:38
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Oh, that's a misunderstanding. I didn't mean 1.d4 d5 2.c4 c6 3.Nc3, but rather (...) 2...c6 3.Nf3 e6 4.Nc3 and (...) 2...e6 3.Nc3 e6 4.Nf3.

So starting with the Botvinnik!? Quite heavy to begin with! But, TN, you are the boss.
  

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Re: Queen's Gambit Repertoire
Reply #10 - 11/26/11 at 13:02:04
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@Zwischenzugzwang

The reason for offering two different lines against the Triangle is because I want to avoid 1.d4 d5 2.c4 c6 3.Nc3 dc4 (the Argentinian Variation) which I think is equal for Black. But I haven't looked at this line in a while, so if White can prove an edge here then I'm happy to make the repertoire move 3.Nc3 (3...Nf6 4.Nf3) instead of 3.Nf3 Nf6 4.Nc3. 

@fling

I was thinking of starting with the Botvinnik Semi-Slav, because it is just about the sharpest choice for Black after 2.c4. When I last had a serious look at the Botvinnik I found an edge for White based on 1.d4 d5 2.c4 c6 3.Nc3 Nf6 4.Nf3 e6 5.Bg5 dc4 6.e4 b5 7.e5 h6 8.Bh4 g5 9.Ng5 hg5 10.Bg5 Nbd7 11.g3 Bb7 12.Bg2 Qb6 13.ef6 c5 14.d5 0-0-0 15.0-0 b4 16.Na4 Qb5 17.a3 ed5 18.ab4 cb4 19.Bf4, but theory has moved on a bit in this line since.

Edit: I've just added a PGN file, showing a few recent correspondence games. Although the position is probably a draw with best play, I think White has an edge in all variations, an opinion shared by Stohl in Yearbook 100. I also refuted 9...Nd5, just to get one sideline out of the way.  Wink
  

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Re: Queen's Gambit Repertoire
Reply #9 - 11/26/11 at 12:06:36
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Zwischenzugzwang wrote on 11/26/11 at 11:54:05:
Considering restricted ressources, in my view it does not make sense to analyze both 1.d4 d5 2.c4 e6 3.Nc3 c6 4.e4 and 1.d4 d5 2.c4 c6 3.Nf3 e6 4.Nc3 (the other half of "f1").

Best regards,

Zwischenzugzwang


I agree on this. I have no problem with a repertoire similar to Schandorff or any other, because there will be overlapping variations no matter what. The key is to find the moves that are "best".

I also fully agree that we have to post the full variation, otherwise it is hard to follow. I am not sure either how to prioritize the analysis. I think it is better if we start with main lines. My suggestion to start with offbeat lines was just based on how the Spanish thread is done.

Well, where do we start, QGD, Slav or Semi-Slav?
  
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Re: Queen's Gambit Repertoire
Reply #8 - 11/26/11 at 11:54:05
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TN wrote on 11/26/11 at 10:36:24:
I suggest that this be the basic skeleton for the repertoire:

...
e) 2...e6 3.Nc3:
...
e2) 3...c6 4.e4
...
f) 2...c6 3.Nf3:
f1) 3...e6 4.Qc2 (maybe 4.Nc3 depending on our analysis)


This resembles somehow Schandorff  Smiley. But it's fine with me.

Two remarks:
- If you want to start with the main lines, you might better renumber the lines.
- If Black plays the Traingle, after three moves we have either a Nc3 or a Nf3, depending on Black's move order. There are two approaches we could use to deal with that, either (i) playing the other white knight, which leads to the Noteboom in either case, quite some heavy stuff, but two dead birds with one stone [in German: "Two flies with one swatter", btw  Smiley], or (ii) playing 4. e4 in case of the QG move order (your line "e2", also quite theoretical these days) and playing 4. Qc2 in case of the Slav move order (the first half of your line "f1"). Considering restricted ressources, in my view it does not make sense to analyze both 1.d4 d5 2.c4 e6 3.Nc3 c6 4.e4 and 1.d4 d5 2.c4 c6 3.Nf3 e6 4.Nc3 (the other half of "f1").

Best regards,

Zwischenzugzwang
  

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Re: Queen's Gambit Repertoire
Reply #7 - 11/26/11 at 10:42:57
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One other request: When posting analysis, could posters please give the starting moves leading to the position under discussion? This only takes 30 seconds maximum to do, and saves a lot of time. In the other thread I saw a number of posts asking 'what were the preceding moves?'.
  

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Re: Queen's Gambit Repertoire
Reply #6 - 11/26/11 at 10:38:51
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Jupp53 wrote on 11/26/11 at 10:25:59:
Someone should mentor the topic to avoid a fragmenting of the discussion. TN, would you like to do this?


Yes, I am happy to do this. I will be busy with tournaments in January so it may be necessary to have a substitute to fill in while I am busy, but this can be discussed later. For now I just want to get started on some analysis  Wink
  

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Re: Queen's Gambit Repertoire
Reply #5 - 11/26/11 at 10:36:24
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I suggest that this be the basic skeleton for the repertoire:

1.d4 d5 2.c4:

a) 2...Bf5 3.Nc3 (or 3.cd5 depending on our analysis)
b) 2...Nc6 3.Nc3
c) 2...e5 3.de5 d4 4.Nf3 Nc6 5.g3 (5.Nbd2/5.a3 depending on our analysis)
d) 2...dc4 3.e4 (or 3.Nf3 Nf6 4.e3 e6 5.Bc4 c5 6.0-0 a6 7.dc5, I am not sure at this stage)
e) 2...e6 3.Nc3:
e1) 3...Be7 4.cd5 ed5 5.Bf4
e2) 3...c6 4.e4
e3) 3...c5 4.cd5 ed5 5.Nf3 Nc6 6.dc5
e4) 3...Nf6 4.cd5 ed5 5.Bg5 c6 6.e3, usually following up with Nge2
f) 2...c6 3.Nf3:
f1) 3...e6 4.Qc2 (maybe 4.Nc3 depending on our analysis)
f2) 3...Nf6 4.Nc3:
f2a) 4...a6 5.c5 (or 5.e3 depending on our analysis)
f2b) 4...dc4 5.a4 Bf5 6.Ne5
f2c) 4...e6 5.Bg5 h6 6.Bf6/5...Nbd7 6.e3/5...dc4 6.e4

Another idea I had was to arrange the repertoire so that it could be played via. 1.c4 or 1.Nf3 as well as 1.d4, but I think it's best just to focus on trying to find the best moves rather than worry about transpositional possibilities.
  

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Re: Queen's Gambit Repertoire
Reply #4 - 11/26/11 at 10:25:59
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Someone should mentor the topic to avoid a fragmenting of the discussion. TN, would you like to do this?
  

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