emary wrote on 09/01/12 at 18:20:36:
I think a repertoire book is not more than a starting point and Kaufman's book is among the best repertoire books.
But Kaufman's book is not advertised as a 'starting point'. It is advertised as a "Complete, sound, and user-friendly chess opening repertoire". That's the standard, therefore, against which I judge it. If I'd wanted a 'starting-point', I might have spent my money elsewhere, or done my own research.
emary wrote on 09/01/12 at 18:20:36:
But I really don't like that there has been some bashing against Kaufman's book in this thread.
I'm very disappointed with the book, and judging from the 'bashing' in this thread, I'm not alone. It seems to me that the criticism of the book in this thread is valuable to a prospective consumer.
emary wrote on 09/01/12 at 18:20:36:
I have chosen the first option a few times and this line scores
incredibly well (much better than the Slow Slav) in praxis [etc.]
As far as I can see Kaufman has chosen very theoretically sound lines for most things (although some other posters disagree). My problem is not with the quality of the lines Kaufman advocates, which in fact seem to be used regularly by GMs. My problem is with the appropriateness of these lines in a repertoire book aimed at amateurs; a book that also seeks to cram a whole White and Black repertoire between two covers.
The result of this decision by Kaufman is that the lines are poorly explained and - because of space constraints exacerbated by the bizarre decision to use a full-games format - don't cover deviations that, while no doubt sub-optimal, are just the sort of moves that one might encounter in club chess.