Quote:Well, every player has his or her likes and dislikes. But in my opinion Kindermann has too much of a GM perspective - i.e. going for solid equality if possible - which is not why most of us play the dutch in the first place!
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So perhaps one can summarize it thus: Kindermann wrote a serious opening manual, but he may have had the wrong reader in mind?
I don't know. I very much like the lines he gives, they are solid, but they don't go for sterile equality - i.e. there's usually enough life left in the position that you have realistic chances of trying to play for a win (eventually). Of course it's a matter of taste, but I also find that Kindermann's lines are usually easier to play and don't require as much theoretical knowledge as e.g. the somewhat sharper lines in the Pedersen book (compare e.g. the recomendations after 1.Nf3 f5 2.e4 fxe4 3.Ng5: Kindermann's 3...Nc6 may not be all that forcing, but it's really easy to play and will frustrate an attacking player who has white).
Dragonslayer: After 2.e4 fxe4 3.Nc3 Nf6 4.f3 I believe that both Kindermann and Pedersen actually recommend 4...d5, they also both cover 2.Qd3 and 2.g4 (+various other moves like 2.h3).
Mmmh, as far as I know there's no recent book that really truly covers the Nc6 Leningrad in detail (MacDonald has an overview, but it is...well, an overview, Khalifman covers it from the white side, in his Kramnik repertoire books, I suspect) from a black perspective. Or does anyone know some recent publication about it?