Very Hot Topic (More than 25 Replies) improvement in guioco piano moeller attack (Read 25736 times)
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Re: improvement in guioco piano moeller attack
Reply #30 - 04/25/06 at 05:09:33
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Thanks Markovich!

The tenor of the conversation here was getting a bit personal before your comment.
  
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Re: improvement in guioco piano moeller attack
Reply #29 - 04/24/06 at 12:32:22
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Quote:
No, I recommend learning how to play chess rather than spewing out oodles of theory learned by rote.

btw, there's no need to hope players of my level and below won't know the theory - my experience taught me they dont.


People don't, of course, learn the chess openings, or the theoretical endings, by rote.  But those interested in playing chess -- as opposed to playing at chess -- do make some attempt to learn these things.   No one here is "spewing" openings theory.  They discussing theory, which one would hope were permissible to do on a board whose expressed purpose was to enable such discussion. If discussing chess openings theory doesn't suit you, please be absent.

It was, if I recall correctly, Lajos Portisch and not some computer that discovered the refutation of the Moeller Attack (or at least, first played it an a high-level game of chess).
  

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Re: improvement in guioco piano moeller attack
Reply #28 - 04/22/06 at 20:55:19
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Then you should rather advocate 6.o-o instead of 6.cxd4. Theory of the Greco-Moller Attack is about 20 moves deep these days.
Your experience is not mine. My level is about the same - Dutch ELO 1800 - and I gave up both the Danish and the Morra Gambit, because my opponents began to outprepare me.
  

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Re: improvement in guioco piano moeller attack
Reply #27 - 04/21/06 at 22:46:53
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No, I recommend learning how to play chess rather than spewing out oodles of theory learned by rote.

btw, there's no need to hope players of my level and below won't know the theory - my experience taught me they dont.
  
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Re: improvement in guioco piano moeller attack
Reply #26 - 04/21/06 at 20:53:02
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So you recommend hope chess, you play this hoping your opponent will not chose one of the several good lines.  Sad
  

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Re: improvement in guioco piano moeller attack
Reply #25 - 04/21/06 at 15:12:39
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kamiel wrote on 09/03/04 at 08:04:26:
1) There is one forced draw 13.0-0; not numerous. And it is almost never seen any more in recent years since Portisch reinvented 13.h6 in 1968 .



I haven't looked at this for ages but it used to be my favourite line as white.

If memory serves there's definitely more than one 'draw' (e.g I believe Black can play ...f6 and draw instead of ...f5).

Also, the last I heard the main line wasn't a draw anyway and that some computer had found an improvement for Black that avoids the classic repetition of position line.

Has the improvement been counter-improved?


That all said, I would also heartily recommend the line as a way to sharpen tactical ability for the improving player.  Perhaps not for the very serious very strong player though.

I'd still punt it from time to time now (current rating around 1750 elo equivalent) but my tastes have changed and I prefer stodgier stuff these days.
I don't find the "your opponents might know the refutation" argument valid - well not for players of my strength anyway.  In the real world they don't.
  
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Re: improvement in guioco piano moeller attack
Reply #24 - 04/08/06 at 03:45:47
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MNb wrote on 09/17/04 at 15:30:31:
Kamiel, it is OK to play the Urussov. But how do you avoid the Italian after 1.e4 e5 2.Bc4 Nc6 ?


i started experimenting with 1.e4 e5 2.Bc4 Nc6 3.c3 Nf6 4.Qf3. i haven't made up my mind as to how much merit it has, but it poses some problems for black.
  
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Re: improvement in guioco piano moeller attack
Reply #23 - 04/05/06 at 00:46:19
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@rowrulz

I think u are right. Your Line seems to defend Black´s Position. After 19.Ne6 - fxe6 20.dxe6 - Kh8(!) 21. e7-Nxe7 22. Rxe7
White looks quite attractive, but 22...Re8 stop White brutaly. No more attack to see. Maybe White can fight for a draw, but this was not his Idea in this Line...

Bye
  
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Re: improvement in guioco piano moeller attack
Reply #22 - 11/03/04 at 14:04:49
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Kamiel, after 14.Qb3 then 14...0-0 looks critical. 15.Rae1 Ng6 16.Nf3 Bf5 17.R4e3 Rb8 18.Nd4 Bd7 is a possible line.

My evaluation runs as follows: 

Black is a pawn up with no obvious weaknesses.  e7 and b7 are for the moment covered and his minor pieces are working fairly well.
White has some compensation due to the fact that his pieces are fairly active but I find it difficult to believe that white has anything more than 'some compensation'.

Black can challenge the e-file now that the bishop is on d7, the knight is looking to come into e5 and the queen to f6.

I'm not claiming this is the best line but I think it's up to white to prove that he has adequate play because black does have winning chances in the long term with his extra pawn.
  
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Re: improvement in guioco piano moeller attack
Reply #21 - 10/23/04 at 07:32:32
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I wouldn't call a well defended passed pawn on the 6th rank a weakness; but it is true that the pawn blocks white attacking lines like in the Qe2-main line.
But this situation should be an improvement to the Qe2 as the differences are that the queen is now on e3 and the black king is on f8 instead of e8. Both seem to be an improvement as the queen on e3 has more relevant squares to go to and also attacks g5, while the black king should  be more dangerously placed on f8 than on e8. Ideas with f4 or h4 are sometimes possible for white now but I agree that this position needs serious analysis to come to a conclusion.

But anyway if this line is better for black in the end (something I don't believe) then white can still play 16.Rxe7 Qxe7 17.Rxe7 Kxe7 18.Qe3+ Kf8 19.Bb5! Bf5 20.Qf3 which draws.
  
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Re: improvement in guioco piano moeller attack
Reply #20 - 10/23/04 at 04:49:08
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[quote]
After 14.Qb3! hxg5 15.Rae1 Kf8 16.Qe3 seems at first glance to be at least good enough for equality.
[/quote]

But if Black plays 16... Be7 17.de6 f6 the situation is similar to the mainline with 14. Qe2. In the long term the pawn e6 will become a weakness.
  
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Re: improvement in guioco piano moeller attack
Reply #19 - 09/28/04 at 14:18:41
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Quote:
I respect Markovich not wanting to publish his analysis, but in another thread I mentioned 1.e4 e5 2.f4 exf4 3.Bc4 Nc6 4.d4 Nf6 5.e5 d5 6.Bb3 Bg4 Charousek-Tsjigorin, Budapest 1896, which is not that good for White.
In fact I think 3...Nc6 underrated.


Smiley  I will simply say that I have looked deeply at Black's exchange-winning ideas after 6...Ne4  7. Bxf4 Qh5+  8. g3 Nxg3  9. Bxg3 Qe5+  10. Kf2 Qxh1 and similarly after 5...Ne4  6. Bxf4 and concluded that White is at least equal and that the path to a draw is not so obvious for Black.  I have not given any attention, that I can recall, to 6...Bg4 in your Chigorin line; I shall.

Sometimes after 5...d5,  6. Bd3 has been played, but I am not sure about it since, if Black does go for the exchange, it is good for the bishop to be on the a2-g8 diagonal.
  

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Re: improvement in guioco piano moeller attack
Reply #18 - 09/28/04 at 12:47:12
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Can someone pls explain the best lines against the 9..Ne5 var of the moeller?
  
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Re: improvement in guioco piano moeller attack
Reply #17 - 09/18/04 at 17:15:11
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I respect Markovich not wanting to publish his analysis, but in another thread I mentioned 1.e4 e5 2.f4 exf4 3.Bc4 Nc6 4.d4 Nf6 5.e5 d5 6.Bb3 Bg4 Charousek-Tsjigorin, Budapest 1896, which is not that good for White.
In fact I think 3...Nc6 underrated.
  

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Re: improvement in guioco piano moeller attack
Reply #16 - 09/18/04 at 08:28:56
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1. e4 e5  2. Bc4 Nc6  3. f4 exf4 and since 4. Nf3 g5 is better for Black, White should play 4. d4! with a line of the Bishops gambit that is fine for White, though the key variations are not published anywhere.  I have extensive notes, but I do not intend to make them public because they are in the repertoire of one of my students. Smiley
  

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Re: improvement in guioco piano moeller attack
Reply #15 - 09/18/04 at 03:51:39
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just 3.f4 if I know they don't play kings gambit accepted normally. Else 3.d3 with a later f4.
  
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Re: improvement in guioco piano moeller attack
Reply #14 - 09/17/04 at 15:30:31
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Kamiel, it is OK to play the Urussov. But how do you avoid the Italian after 1.e4 e5 2.Bc4 Nc6 ?
  

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Re: improvement in guioco piano moeller attack
Reply #13 - 09/17/04 at 12:54:43
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Yes I think it is a good thing to know several systems. Not really to decide what to play during the game but before the game. Like if I know I'm gonna play someone who is very booked up and almost surely has prepared something against my opening then I play another opening which I mostly learn in internet games so my opponent doesn't know I play it. For the moeller attack when I feel they prepared something I change to the very interesting and not well known urusov gambit 1.e4 e5 2.Bc4 Nf6 3.d4 exd4 4.Nf3 .
The draw issue you mention seems to be a problem indeed but I never really had much trouble with it as I noticed that players below my level (2150)  really don't know the theory very well (especially under 2000), while those who are better than me of course don't want to go for the draw.
About Qb3, I have analysed it for some time and think it is ok but even if its not perfect, I see it this way: if I can't find a refutation using fritz, then how would my opponents find one over the board.
  
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Re: improvement in guioco piano moeller attack
Reply #12 - 09/17/04 at 08:10:30
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That is a most remarkable website to which you refer Smiley .  However, I would not trust 14. Qb3 "!" until I had analyzed it very thoroughly.

Assuming that it is not unsound  Grin, I think that it would fine to play the Moeller Attack, which is great fun.  Implicitly, of course, you offer an easy draw to anyone who is well booked, but perhaps in a club setting, or even in a Swiss against a given opponent, that is not so bad.  Bear in mind that in a Swiss event, an opponent who expects to beat you is most unlikely to play into the Moeller.

From a practical viewpoint, I would think that it would be good for an Italian player to have BOTH the Moeller and the 0-0 idea in his arsenal.  Then depending on how he felt about the game when he reached the crossroads, he could choose either.

  

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Re: improvement in guioco piano moeller attack
Reply #11 - 09/07/04 at 02:15:47
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I never stated, that White is better after 6.o-o/9.Qe2, I stated that White can get dynamic equality. If most sources say that the line is better for Black then there are two possibilities: they all are right or the line is underestimated. You already know my opinion.
Alas I can not give you a single game, as until now I have not solved the problem how to meet the Two Knight's Defence.
Still it seems that are two respected authors, who think 6.o-o/9.Qe2 is worth a try: Emms and Burgess. But anyone should judge for him/herself.
  

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Re: improvement in guioco piano moeller attack
Reply #10 - 09/03/04 at 08:04:26
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1) There is one forced draw 13.0-0; not numerous. And it is almost never seen any more in recent years since Portisch reinvented 13.h6 in 1968 .

2) Theory ends at move 14 of your line not cause it isn't chewed out but cause there's nothing left to analyse after that. White has verry little attacking prospects and I really doubt any strong player would prefer to play with the white pieces in this position, all sources I have read  say this line is just the refutation of the 6.0-0 ... 9.Qe2 line as it gives black a comfortable and better game. I have even read Emms analysis about this line and as far as I remember it was just 1 small page long just giving games with commentary of Burgess and almost no analysis of Emms himself, and even this repertoire book suggested that black was just fine. About you playing correspondence chess, I'd really like to see some of your correspondence games in this line (ending 13. Bf5) where white is victorious as I really doubt that black can get a worse position if he is allowed computer assistance.
  
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Re: improvement in guioco piano moeller attack
Reply #9 - 09/02/04 at 07:22:08
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Again I refer to Emms' book, who gives both 14.Qf4 and 14.Qh4 leading to dynamic equality, not to a forced draw. In my opinion the resulting positions are due to the combination opposite coloured bishops and all heavy pieces still on the board, far more interesting than for instance 13...o-o 14.Nxh7 Bf5!, not speaking of all the forced draws if Black knows his theory, in the Greco-Moller main line.
I know that in the 6.o-o gambit main line after 14.Qh4 White has to beware of the exchange sac Rxf3 (to avoid with Qg3), but at the other hand he has prospects of an attack on the black squares.
With "underestimated" I mean two things: I refer to Emms' remarks and I also refer to Kamiel's evaluation "slightly better for Black". The games in this main line I know, show hardly best play for White.
Again, I think this is more interesting than an improvement in the Greco-Moller main line combined with gambling that the opponent will avoid the forced draws. At the other hand, I do not play blitz but email-chess - at average six days a move.
Finally I will leave it to the readers to judge with line is more chewed out, the line where theory begins at move 14 or the line where Emms gives about equality at move 14.
  

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Re: improvement in guioco piano moeller attack
Reply #8 - 08/30/04 at 08:23:58
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Well ok, first it is true that it is believed to be analysed to death for the biggest part but now Qb3 seems to be an improvement in the most important line of the moeller attack so there might still be some spirit in it. And even if it is chewed out, isn't essentially the same true for the kings gambit, vienna gambits and numerous other openings?

But for your line (which is probably even more chewed out as the moeller attack in my opinion as the most interesting main line 9.Qe2 hasn't changed for over 100 years), except if you can give some kind of improvement in the following line, then I don't really see why white should play it.

1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4.c3 Nf6 5.d4 exd4 6.0-0!? Nxe4! 7.cxd4 d5! 8.dxc5 dxc4 9.Qe2!? (after Qxd8+ Kxd8! the best white can hope for is that he can draw the ending)  Qd3 10.Re1 f5 11.Nbd2 0-0 12.Nxe4 fxe4 13. Qxe4 Bf5. 

This main line has already been played more than 100! years ago and leads to a final position that is slightly better for black as practice has shown.

So either you have some nice improvement, then please share it or else explain why it is so interesting as the best white gets is a bad position.
  
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Re: improvement in guioco piano moeller attack
Reply #7 - 08/30/04 at 07:08:48
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Even Emms in his Black repertoire book, writes that 6.o-o!? is an interesting and underestimated gambit. Why does everyone stick to that chewed out Moller-Greco Gambit?
  

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Re: improvement in guioco piano moeller attack
Reply #6 - 08/27/04 at 02:48:54
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1) Well if you don't want to take the small risk in the 13. ...  0-0 line, you still can choose go for the drawing line with 17.Qh7+ and even then black can go wrong althoug I've noticed that above 2000 everybody knows how to draw it.

2) 6.e5 is known to be bad for ages, this is what steinitz wrote about it: "On general principles this early advance of the e-pawn ought to prove disadvantageous since the reply [6…d5!] soon allows Black the important majority of pawns on the queenside and also first option of breaking through by …f6 subsequently”.
  
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Re: improvement in guioco piano moeller attack
Reply #5 - 08/26/04 at 21:25:04
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it's a risky business playing lines just hoping that your opponents don't know them. and if you did win, has it really done anything for your chess? 6.e5 is interesting though...
  
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Re: improvement in guioco piano moeller attack
Reply #4 - 08/26/04 at 18:04:48
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I'm no expert on the Ne5 line as it has very rarely been played against me and those who did didn't know theory and lost to the 11. ... Ncd6 trap . 

But I'll just copy paste here what Tim Harding writes about in his "the kibitzer" column about this opening.

http://www.chesscafe.com/text/kibitz70.pdf

First he gives anand game but after it writes:

However, White can do better; this game has no real theoretical significance. In Klovans-Estrin, White played instead 14 Bg5 f6 15 Bf4 Nf7 16 d6 cxd6 18 Bxd6 Re8 19 Qd5 Ba6 20 Rfe1 with about equal chance. Estrin's comment was that the white activity and Black's
extra pawn balance one another. Your computer will probably claim an edge to Black. Estrin's book also mentions the possibility 13 Qf4 (instead of 13 Qd3) 13...Ne8 14 d6 (offers a second pawn to interfere with Black's development) 14...Nxd6 15 Ba3 b6 16 Rfe1 Bb7 17 Nd4 with compensation (N.Kopylov-Levenfish, 17 USSR Ch 1949).

To see very extensive analysis about the Ne5 line go to 
http://sorrowdy.mysteria.cz/15.htm a fantastic website about this opening.
  
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Re: improvement in guioco piano moeller attack
Reply #3 - 08/26/04 at 17:27:36
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It seems that 14.Qb3 solves the 9...Bf6-13...h6-problem.
But what about 9...Ne5 the move recommended by Kasparov and played by Anand.
  
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Re: improvement in guioco piano moeller attack
Reply #2 - 08/26/04 at 07:39:13
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You ask: what is so attractive in the moeller attack for a gambit player?
I'll answer:
1) If black doesn't know 13. moves of theory then it is a sure win for white often in beautiful fashion.

2)If black does know 13 moves of theory and plays 13. ... h6 then he will be met by the theoretical novelty 14.Qb3 when he will most likely think it is the same as 14.Qe2 line and play 14. ... hxg5 15.Re1 Be6 and get a bad position after 16. Re3.
The other move he might play is 14. ... 0-0 after which  to position is dynamically equal and white gets compensation for the pawn (isn't that what a gambit player wants?) where any attacking minded player would surely prefer to play with the white pieces.

3)If black does know 13 moves of theory and plays 13. ... 0-0 which black things leads to draw (so a strong player won't play this anyway) then white plays 14.Nxh7 and then black can either play 14. ... Bf5 (which is not seen very often, now white has the option Rxe7 which is draw but white can also play Rh4 which leads to wild attacking positions of which you would think a gambit would be happy to get)
the more often seen option is 14. ... Kxh7 15.Qh5+ Kg8 16.Rh4 f5 and now black in general knows how to defend himself against 17.Qh7+ which is forced draw BUT white can still try to win with 17. Rh3 or 17.Be2 which probably with correct play lead to draw too or play the refuted but long forgotten 17.Re1 (this move was long thought to be the refutation of 14. 0-0 so black won't possibly find the refutation against it over the board) . Now unless black knows 60 year old books on the italian game right out of his head (which is very, very unlikely) it is absolutely impossible that he will know how to defend himself. So 1)black does almost  never play 13.  0-0 (90% plays h6). 2)If he does he will not draw but he will lose, I have only met it in blitz games and won nearly all of them except a few were I played Qh7+ after which they knew how to draw most of the times. The only time in a serious game that I saw somebody get so far as 16. ... f5 the white pieces were played by a friend of mine (2100 elo) against another 2100 with black; my friend played 17.Re1!? and black started to think for over an hour played 17. ... Bd7? and resigned after 18.Re6! 18.Be8 Qh7+ 19.Kf7 Rhh6.

So to conclude in what is so attractive in this line; of all the games I played on the internet (mostly blitz) where I reach the position after 7. ... Nxe4 I won no less than 85% of them. This is what makes it attractive to me.

About the 6. 0-0 line you suggest, I agree it is an interesting gambit cause it is not very well know on club level. But I don't really know what you mean with the "underestimated" part of your sentence, as also this gambit has been analysed more or less to death and leads to a good game for black. The best white seems to be able to get is a worse endgame in the 9.Qxd8+ lines or a middle game where black seems to have the advantage cause better placed pieces in the 9.Qe2 Qd3 lines. So I don't really see what would make this gambit so attractive for the gambit player, it doesn't even lead to very wild positions.
  
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Re: improvement in guioco piano moeller attack
Reply #1 - 08/26/04 at 05:12:32
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<leads to draw in all current known lines>
Not very attractive to most gambit players. Why not the underestimated 6.o-o!? instead?
  

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improvement in guioco piano moeller attack
08/24/04 at 16:24:27
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Current theory says that black is clearly better in the moeller attack cause of 13.... h6 but I think a new move 14. Qb3! gives white enough compensation for the sacrificed pawn and a good game.
This long line is more or less forced
1. e4 e5 2. Nf3 Nc6 3. Bc4 Bc5 4. c3 Nf6 5. d4 exd4 6. cxd4 Bb4+ 7. Nc3 Nxe4 8.
O-O Bxc3 9. d5 Bf6 (Ne5 also possible) 10. Re1 Ne7 11. Rxe4 d6 (0-0 is interesting alternative)  12. Bg5 Bxg5 13. Nxg5 h6! (0-0 draws here, IF black knows all his lines, which rarely is the case) 

Here two moves have been extensively analysed, 14.Qe2 but after hxg5 15.Re1 Be6 16. dxe6 f6 17.Re3!? c6! 18.Rh3 Rxh3 19.gxh3 g6 in this position white has tried lots of moves but the simple plan for black to play Kf8 and Kg7 gives black clear advantage.
The other move 14.Bb5+ which actually is old refuted main line had a revival with Bd7 15)Qe2 Bxb5 16)Qxb5+ Qd7 17)Qxb7!? where it was thought that white had some compensation but this line is refuted now also cause of 0-0 18)Rae1 and now not Ng6 but the much better Rab8! giving black winning advantage.

But now a new move has been found on the fantastic website on this opening http://sorrowdy.mysteria.cz/.
The move is 14.Qb3! with the idea that after hxg5 15.Rae1 Be6? white can play 16.Re3! with the idea that after 16. ... c6 17.dxe6 f6 18.Rh3 black can't take the rook cause white can now take back with Q in contrast to the 14.Qe2 line.

After 14.Qb3! hxg5 15.Rae1 Kf8 16.Qe3 seems at first glance to be at least good enough for equality.

So 14. ... hxg5 doesn't seem to give anything but normally if black can castle in these kind of lines he gets tempo cause knight has to return and black gets the advantage.
But here I believe that also after 14. ... 0-0 white gets compensation for the pawn after 15.Rae1 (or maybe immediately 15. Nf3) Ng6 16.Nf3.
Now I don't really see a move that gives black advantage. Whites compensation is in the fact that a) he totally controls e-file b) he gets a strong square for his knight on d4 c)black has troubles developping his bishop due to the pressure of the queen on b7 and black can't really sacrifice b7 pawn cause then in most lines Qxb7 Rb8 Qa3 Rxb2 is not possible cause of Bb3 which traps the rook on b2.

I'm convinced this line is an improvement over the current main lines, not that I think black isn't ok but white seems to have enough compensation to reach equality.

And if this is true then it seems that the guioco piano moeller attack (after 7.Nc3!?) leads to draw in all current known lines which would make it a opening weapon that you can't lose with but only win if black isn't aware of the theory.

« Last Edit: 08/24/04 at 17:32:29 by kamiel »  
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