Quote:There are two types of endgame study. Endgame planning (as exmplified by Sherevshevsky's Endgame Strategy, Aagaard's Excelling at Technical Chess, and some of Dvoretsky's works) is for me far more relevant and interesting than studying technical endgames (which make up most endgame books e.g. Fundamental Chess Endings).
I also think studying endgames arising from openings from your repertoire is most useful. One just needs to go through as many annotated games as possible. This is where New in Chess yearbooks are most useful.
I think that actually, it's more important to study the technical endings. So often, you have to know whether a given simplified position is won or drawn -- and have some idea of how to do it! I don't see how anyone can be much good in "strategic" endgame play without the technical knowledge.
Besides studying technical endings, I think you have to keep restudying them -- unless you play a great deal of slow chess. For me at least, it's easy to forget this stuff.
Once during a tournament, I was a pawn down in K+R versus K+R+P. I had studied this ending very considerably but, perhaps due to stress, I just could not remember the drawing technique in the given position. Fortunately, the game was adjourned, and before the replay, I simply went to the book store, looked at a rook ending book without even bothering to buy it, and rediscovered the drawing technique. The game was drawn. I hope that since that happened during adjournment, it was legal.
The funny thing is that I have a very vidid recollection of that one certain way of making a draw. I think that if I had played a great many endings during my life, I would now have a much, much better command of endgame technique.
I suspect that the rapid time limits now in vogue serve to undermine the endgame technique of many players.