MartinC wrote on 01/14/09 at 10:30:49:
If you're interested then there's a decent survey of the state of 'theory' on this line in a chapter of dangerous weapons: the Sicilian.
As I remember from that they don't think that 3 c3 d5 4 ed Qxd5 is actually so bad for black. a6 seems a logical enough move to have in there so I don't see why it shouldn't be.
I'd think that 3 c3 e6 4 d4 d5 5 ed ed certainly should be fine - quite similar to the very respectable early a6 IQP French tarrasch lines. 5 e5 must I guess be an edge for white but not a disaster.
To be honest 3 Nc3 might be as annoying as anything - unless you like the positions you get after 3..b5 (a bit on the edge) then you're heading back into another main line open sicillian while allowing all the c3/c4 stuff for 'free'.
In dangerous weapons (DW) book the idea in the 1 e4 c5 2 Nf3 a6 3 c3 d5 exd5 Qd5 line was to play for variations where black in normal 1 e4 c5 2 c3 d5 lines first plays Be7 and later on Bd6 and play Bd6 in one go and thus have a6 for "free". Basicly using a6 as an waiting move to get more info about the way white wants to play it. In short the author finds the O'Kelly especially viable when combined with the Kan sicilian.
About 1 e4 c5 2 Nf3 a6 3 Nc3: well the b5 stuff is a bit dodgy but when you play 3 ... e6 I think the best for white is to transpone into the Kan and then you have avoided 1 e4 c5 2 Nf3 e6 3 d4 cxd4 4 c4 and 4 Bd3 lines with a c4 thrown in later which is considered one of the more dangerous tries agains the Kan. Even Najdorf is possible if you play 3 ... d6 but as the most critical lines against Najdorf incorperate Nc3 not much would be gained with this transposition for black other then avoiding the Moscow anti-Sicilian which seems a lot of trouble for not a lot to be gained.
A possible repertoire could be:
1 e4 c5 2 Nf3 a6
a) 3 d4 cxd4 is what black wants
I have seen 4 Nf6 Nc3 5 e5 and 4 e5 recommended with my preference being the first. Nb5 is not possible and black gets a lot of pressure. DW gives enough material to illustrate this.
b) 3 c3 d5 4 cxd5 Qxd5 (DW also gives 4 ... Nf6 but except for blitz I wouldn't trust this) with the lines out of DW.
c) 3 c4 e6 heading for the Kan with 4 c4 if white plays d4 which is Ok for black. Hellstens book "Play the Sicilian Kan" seems to be a possible source.
d) 3 Nc3 e6 again going for the Kan if white plays d4 dodging the critical 4 Bd3 with c4.
Well now I typed all this stuff I might just give this repertoire a go myself.