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Very Hot Topic (More than 25 Replies) Grandmaster Repertoire 1.c4 by Marin (Read 377962 times)
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #110 - 09/29/09 at 06:53:39
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Something looks strange for me. Why has he recommanded 2. g3 ?

Since he recommends Nf3 in most variations where the black knight comes to f6, I don't really see which variations he avoids so except :
1. c4 e5 2. Nc3 Bb4
1. c4 e5 2. Nc3 d6
1. c4 e5 2. Nc3 Nf6 3. Nc3 Nc6 4. g3 Nd4.
The Keres variation in its Nc3 form, but I thought the Keres was less inviting against 2. Nc3 than against 2. g3.

Is any of these variations annoying enough to deprive oneself of all the nice lines after 1. c4 Nf6 2. Nc3 ? (Panov, Mikenas, QGD exchange...)
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #109 - 09/29/09 at 02:53:39
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As we say in Suriname: blackmail on the highest level.  Cheesy
  

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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #108 - 09/28/09 at 14:40:24
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GMTonyKosten wrote on 09/28/09 at 14:33:00:
but is this book in 'ECO style' like Beating the Open Games, or is more 'normal'?

I've just had a look at the PDF excerpt and can see that it is the latter! Smiley
Jacob, if you send me a review copy I promise I will only say nice things about it! Shocked
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #107 - 09/28/09 at 14:33:00
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It is possible that I may have missed the answer to this question somewhere earlier in the thread, but is this book in 'ECO style' like Beating the Open Games, or is more 'normal'?
If the latter I will definitely have to get a copy myself! Smiley
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #106 - 09/28/09 at 09:06:23
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To me it is obvious that there are advantages and disadvantages to all move orders. There simply has to be.

About claiming an advantage. Maybe the grunfeld is at one point in time the safest opening for Black, which will make a 1.c4 move order preferable, then the English does not offer White much suddenly - and so on.

What Mihail has done is to find a lot of moves that can inconvenience Black. Long, long term, we probably cannot escape that the beginning position is a draw...
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #105 - 09/27/09 at 00:19:28
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F22 wrote on 09/25/09 at 23:34:27:
MNb wrote on 09/25/09 at 21:55:49:

I disagree as well. I would rather say that playing 1.c4 only makes sense if
1) one can avoid the NID/F221 complex with reasonable theoretical success, which seems the case.
2) one has reasonable theoretical success against various independent options for Black has well, which is much harder to prove.


If (1) is true (which I doubt) then the case for playing 1. c4 gets stronger. My point was that when you play 1. c4 you are allowing 1. ... e5. Now if your opponent can force you into a 1. d4 d5 main line, playing 1. c4 instead of 1. Nf3, just gives him/her an extra option.


This is a non-sequitur, or better, it's incomplete. After 1.c4 e6 2.d4 d5 3.Nc3 Nf6 White can play the Exchange with Nge2. White also can avoid the Semi-Tarrasch and ...Bb4 stuff. This is much harder, if not impossible, if White wants to reach the Closed Games via 1.Nf3.
Only in case of the Catalan 1.Nf3 might be more precise than 1.c4.
  

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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #104 - 09/26/09 at 19:22:56
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Alias wrote on 09/26/09 at 05:49:46:

White is fighting for the advantage. It's just that QGD and Catalan probably are better tries. Since it's very difficult to prove advantages for white in every line in QGD or Catalan (or any major opening), some white players prefer the easier Reti option. Reaching some equal position which you understand well is not so bad either, especially in OTB games. For CC games I don't think I would use it.

Which is sort of intersting. I think the opening is always a bit of a battle to get into a position you know better than your opponent. Ideally, you also want a position that for you, just is better. As you describe it above, the b3 Reiti is a shortcut - a bit like "I can't remember all the moves over the board to play a QGD or Catalan, so I play something slow and positional instead that I might know better than my opponent." I'm not sure if that is the "right" way to think OTB though. There are just as many different variations that may arise after a Reiti as a QGD, it's just we don't have as many names for them, as they aren't interesting to theory, not being a good +. So why not play the QGD or Catalan over the board? You may not remember it all, but even so, you have better odds of hitting the +.

To me, when I see 2.g3 English system played against me OTB it is a psychological victory. A better player will still crush me in the middle game or ending, but I know I have come through the opening unscathed, and will get a reasonable position with opportunities - that's pretty good for black in the opening.
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #103 - 09/26/09 at 07:07:12
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TonyRo wrote on 09/25/09 at 13:20:17:
Marin's analysis of this line continues to around move 30, and I feel bad giving away anything from this book, but here is just a little bit. His main line continues:

13...Qc8 14. e3 Nf5 15. Bb2 Rd8 16. Qc2 a4 17. Rfd1 Ra5 18. Nc4!


Thanks TonyRo, that's very intriguing! I guess I'll have to buy this book in the end, if only to compare my notes with expert's opinion Wink
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #102 - 09/26/09 at 05:49:46
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F22 wrote on 09/25/09 at 23:45:20:
moahunter wrote on 09/25/09 at 21:24:55:

I disagree with this. The reason the English opening has shown up in world championship matches of the past (Kasparov and Karpov had many battles), is because it offers the ability to retain pieces on the board without simplification in must win situations, but also as it allows the avoidance of certain d4 lines for a particular opponent. The main d4 lines aren't avoided, just certain problematic ones, depending on the situation. If my Nimzo is struggling against an opponent, I can avoid it with the Mikenas Flohr or Anti Nimzo, which are good lines. I'm not going to realistically get out of playing the KID though, without settling for an inferior position.


You can retain pieces with almost all other opening moves. I am pretty sure that Ruy Lopez is much better in this respect than the symmetrical English for example.

moahunter wrote on 09/25/09 at 21:24:55:

Another example, I think we will never see a reiti type move order with b3 in a modern world championship match, because world champions are happy to transpose into an objectively better reply, the Queens Gambit, or Catalan. That's not to say such moves might not be a bad idea for us normal people, but we have to recognize we aren't really playing for an advantage, we are taking a short cut.


In an ordinary game with White pieces you should fight for an advantage in the opening.


White is fighting for the advantage. It's just that QGD and Catalan probably are better tries. Since it's very difficult to prove advantages for white in every line in QGD or Catalan (or any major opening), some white players prefer the easier Reti option. Reaching some equal position which you understand well is not so bad either, especially in OTB games. For CC games I don't think I would use it.
  

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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #101 - 09/26/09 at 05:44:58
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F22 wrote on 09/25/09 at 23:34:27:
MNb wrote on 09/25/09 at 21:55:49:

I disagree as well. I would rather say that playing 1.c4 only makes sense if
1) one can avoid the NID/F228 complex with reasonable theoretical success, which seems the case.
2) one has reasonable theoretical success against various independent options for Black has well, which is much harder to prove.


If (1) is true (which I doubt) then the case for playing 1. c4 gets stronger. My point was that when you play 1. c4 you are allowing 1. ... e5. Now if your opponent can force you into a 1. d4 d5 main line, playing 1. c4 instead of 1. Nf3, just gives him/her an extra option.


There are other moves vs 1.d4 than 1...d5. Several important options are excluded with 1.c4. 1.c4 also excludes QGA which 1.Nf3 doesn't.
  

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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #100 - 09/26/09 at 00:13:42
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F22 wrote on 09/25/09 at 23:34:27:
MNb wrote on 09/25/09 at 21:55:49:

I disagree as well. I would rather say that playing 1.c4 only makes sense if
1) one can avoid the NID/F2210 complex with reasonable theoretical success, which seems the case.
2) one has reasonable theoretical success against various independent options for Black has well, which is much harder to prove.



If (1) is true (which I doubt) then the case for playing 1. c4 gets stronger. My point was that when you play 1. c4 you are allowing 1. ... e5. Now if your opponent can force you into a 1. d4 d5 main line, playing 1. c4 instead of 1. Nf3, just gives him/her an extra option.


Personally, I think 1...e5 is the first move that is the most fun to play against. 

By the way, Marin has some discussion about all of this in the Foreword of the book in question. You might be interested to hear that he says the reason he switched from 1. Nf3 to 1. c4 was because of 1....d5 against the former. 
  

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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #99 - 09/25/09 at 23:45:20
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moahunter wrote on 09/25/09 at 21:24:55:

I disagree with this. The reason the English opening has shown up in world championship matches of the past (Kasparov and Karpov had many battles), is because it offers the ability to retain pieces on the board without simplification in must win situations, but also as it allows the avoidance of certain d4 lines for a particular opponent. The main d4 lines aren't avoided, just certain problematic ones, depending on the situation. If my Nimzo is struggling against an opponent, I can avoid it with the Mikenas Flohr or Anti Nimzo, which are good lines. I'm not going to realistically get out of playing the KID though, without settling for an inferior position.


You can retain pieces with almost all other opening moves. I am pretty sure that Ruy Lopez is much better in this respect than the symmetrical English for example.

moahunter wrote on 09/25/09 at 21:24:55:

Another example, I think we will never see a reiti type move order with b3 in a modern world championship match, because world champions are happy to transpose into an objectively better reply, the Queens Gambit, or Catalan. That's not to say such moves might not be a bad idea for us normal people, but we have to recognize we aren't really playing for an advantage, we are taking a short cut.


In an ordinary game with White pieces you should fight for an advantage in the opening.
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #98 - 09/25/09 at 23:34:27
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MNb wrote on 09/25/09 at 21:55:49:

I disagree as well. I would rather say that playing 1.c4 only makes sense if
1) one can avoid the NID/MNb14 complex with reasonable theoretical success, which seems the case.
2) one has reasonable theoretical success against various independent options for Black has well, which is much harder to prove.


If (1) is true (which I doubt) then the case for playing 1. c4 gets stronger. My point was that when you play 1. c4 you are allowing 1. ... e5. Now if your opponent can force you into a 1. d4 d5 main line, playing 1. c4 instead of 1. Nf3, just gives him/her an extra option.
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #97 - 09/25/09 at 21:57:48
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moahunter wrote on 09/25/09 at 21:24:55:


Another example, I think we will never see a reiti type move order with b3 in a modern world championship match, because world champions are happy to transpose into an objectively better reply, the Queens Gambit, or Catalan.


I suppose 1987 wasn't a modern world championship match then ...
  
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Re: Grandmaster Repertoire 1.c4 by Marin
Reply #96 - 09/25/09 at 21:55:49
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F22 wrote on 09/21/09 at 06:58:17:

Playing 1. c4 only makes sense if one can avoid the main lines of 1. d4 d5 with reasonable theoretical success.

I disagree as well. I would rather say that playing 1.c4 only makes sense if
1) one can avoid the NID/QID complex with reasonable theoretical success, which seems the case.
2) one has reasonable theoretical success against various independent options for Black has well, which is much harder to prove.
  

The book had the effect good books usually have: it made the stupids more stupid, the intelligent more intelligent and the other thousands of readers remained unchanged.
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