moahunter wrote on 09/20/09 at 22:21:05:
^The second book is the key, how it handles the symetircal also (the lines without an early Nf3/d4 can be a bit dull I find).
In OTB play, most black players I play seem to aim to transpose into Gruenfeld, QQD, Slav, or KID (using 2. d5, e6, c6, g6 or Nf6). It is just a simpler way to manage a repertoire, than learning an English system. If this book provides an interesting way to play with white against such players without going into d4 lines, while still getting an advantage, then it will be worth gold. I don't know if it is possible though - we will see.
The problem with using Avrukh's book, is it will probably leave open a Catalan transposition- the Catalan is a massive system, might as well play 1.d4, or 1.nf3 if you want to leave open that option.
Compare two ways of aiming for the English: 1. Nf3 and 1. c4. The first option does not allow 1. ... e5 but Black can play 1. ... d5. The second option allows 1. ... e5, but it rules out an immediate ... d5.
Playing 1. c4 only makes sense if one can avoid the main lines of 1. d4 d5 with reasonable theoretical success. However I am not sure how White manages to avoid KID, GID or NID/moahunter4 (where Black does not engage in the center immediately) and how this affects the consistency of the repertoire. Only Marin's suggestions about Black's attempt to move towards a 1. d4 d5 line is relevant. I don't know if that has been mentioned already but I would like to know what he recommends against 1. ... c6, 1. ... e6 and 1. ... Nf6 & 2. ... e6.
I disagree. White can easily avoid GID and NID/QID (and others). This is important. It's a matter of taste if you prefer playing vs NID/QID (and others) or you think you have better chances of getting an advantage vs 1.c4 c5 or 1.c4 e5. [White can also try 1.Nf3 which avoids many e5 lines but it's less flexible.]