Well having got the book and looked 4 .. Nxc3 5 dc its actually somewhat more unbalanced than I suspected. cf:
5 .. Nc6 6 Bf4 e6 7 Qd2 Qc7 8 o-o-o h6 9 h4 b6 10 Qe3 Bb7 (this seems to be blacks basic set up) 11 Nd2 Ne7 12 Nc4 Nd5 13 Qg3 (mentioned in a note as better than Qd2).
The book then just gives 13 .. b5!? 14 Nd6+ BxN 15 ed Qa5 16 Qxg7 o-o-o as 'totally unclear' which is true I guess, if not the usual computer style approach nowadays. Fun to play around with anyway
Best me and my (relatively) humble computer can tell seems to be ~ 17 Bxh6 Qxa2 18 Bxb5 Rxh6 19 Qxh6 Qa1+ 20 Kd2 Qxb2 21 Bxd7+ which still isn't clear. 18 .. Rxh6 perhaps not a trivial move to find. 18 .. a6 seems somewhat dangerous after Bxd7+ etc.
The other line he gives is much saner - 14 Ne3. Then after 14 .. Qa5 15 NxN BxN just 16 RxB seems so visually awful for black that Nxf4 15 QxN c4 etc (which he just mentions) might be advisable. Not totally sure of this for black after Be2 -> f3 etc but I guess reasonable enough.
The comparison with 'Dismantling the Sicillian' is interesting. In the pawn sac vs 3 .. d5 in that Bogdanovich basically dismisses it, giving two game fragments where black holds comfortably.
Not with 8 o-o though. I guess you'd need to analyse it independently to find out the truth
The 3 Nc3 Nc6 4 d4 d5 line certainly is dealt with slightly briefly in dismantling (as you'd expect for such a minor line!). The ending after 10 .. f6 is agreed as bad but Bogdanovich seems to prefer 8..a6/Bd7 to taking on d4 directly.
Actually Experts vs has more in depth treatments vs these lines. (and a comment that it really wasn't so easy proving much.).