glut wrote on 03/12/12 at 12:36:42:
I have read a number of these Markovich doctrine discussions, seemingly over the years, but without the evident passion they seem to generate.
Watson in MCO4 when discussing choice of openings for Category C players (ie fairly low) describes the Pirc, Modern and Alekhine as perfectly logical and sound openings .."but i think they have practical drawbacks for the player below 1600, in that they concede space and don't generally yield as free piece-play. But if you have a strong affinity for any of them, that could outweigh other factors. Personal enjoyment should definitely be a consideration when you're deciding what to play.".
This resonates with me - I have singularly failed to enjoy as black 1.d4 d5 or any number of Italian/Spanish exchange/4 knights games over the years and have found consistently far more rich and double-edged play and much better results (moving from Category C to A) in fianchetto defences, such as the modern/KID.
Symmetrical defences, from analysing my own games, I suspect like Gilchrist, did not help my improvement - rather, I believe they hindered it
My two euros ...
My opinion is similar, although it comes from a slightly different angle.
I find coaches deeply suspect who don't have a look at
my personal playing style first, *before* recommending openings suitable for it.
There are certain structures I simply don't like, and others I do like but which I'm not successful with. A coach needs to know what I can play, where my strengths, weaknesses and preferences are and where there is still room for realistic improvement. Only then can he give a qualified recommendation.
I would show any coach, without exception, the door who comes to me and tells me: "Hello, I'm John. This is my concept: It's good for every relatively inexperienced player to play the open games. So now I'm going to teach you e4 e5 with both colours."
Sure, it's comfortable for the coach to recycle the same material for all his pupils, but I doubt it's the right method to get better than average results from his pupils. An improving player with an Andersson style has to be treated differently than a Shirov type player.
I'm talking about opening repertoire, mind you. I'm absolutely for a broad knowledge of middlegame structures. Everybody should learn the basics about pawn structures, etc.