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I'm not exactly sure what you mean here: you play ...Bb4+ but you think it's bad for black? I'm curious to see that, as white in the Catalan I'm happier facing 4...dxc4 or 6...dxc4, but I'm not terribly keen on the closed lines even without ...Bb4-e7 thrown in.
I play the 4...Bb4+ variations with ...Bb7 instead of ...Ba6 (or an early ...Nbd7 postponing the development of the bishop altogether). I've always wanted to include the ...Ba6 versions in my repertoire (it'd make life easier as a QID player due to the transposition from 5.Qc2), but I just can't get happy with it.
The Closed without 4...Bb4+ is slightly easier to deal with.
As for being happy in the Open...that depends entirely on which Open variation. The 4...Be7/6...dxc4 is pretty much what Catalan players want to see, regardless of theoretical verdict. Other Open lines aren't as clear - ie: 5...a6 in particular is a line I don't think white can claim a concrete edge in, but rather just a position with very good compensation for the pawn and a lot of unclear play remaining.
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I am actually surprised that 1 Nf3 d5 2 d4 Nf6 3 c4 e6 4 g3 will be the choice in your book, as I'd somehow gained the impression you thought 4 Nc3 was better. I wonder when we'll next see a repertoire book give the 5 Bg5 QGD for white?
The Catalan has been my repertoire choice for the last decade plus. I added 4.Nc3 some years back because I'm always adding stuff (knowledge is power, etc.). I never thought it was better, just another option. In modern chess one needs many, many options for practical reasons, because theoretically proving more than temporary advantages is quite difficult in any decent opening. Of course I'm just preaching to the choir, but that explains my personal motivation.
While I would have loved to write something about 5.Bg5 I've got nothing against the Lasker or the Tartakower. A much better analyst than myself will have to tackle them if they want to write the type of opening book I'm working on.
5.Bf4 is my QGD preference, but there too I find myself struggling to pose more than temporary problems. If I were writing a book primarily focused on club players I wouldn't hesitate, but this project I'm working on now is something more ambitious.
It's a fine line as an author - who's your target audience? The more complex lines tend to give more hope for advantages, but leave the less advanced players frustrated. The more simplistic lines frustrate the more advanced players because there is often a route to equality. In the end, it is impossible to write a chess book that makes every happy when it comes to openings.
By the way, Pantu, you actually get mention in my book in the Queen's Indian Defense chapter in one of the foot-notes for a contribution you made on here. In my mind it was a theoretically important (critical for that variation, certainly) contribution.