wcywing wrote on 01/26/08 at 01:38:53:
i know at the club level anything is sound, even the BDG
Which means you should keep three things in mind:
1. chose an opening that helps you to learn something. Ie I learned quite something by playing the Danish, though I would not recommend it these days. But I am convinced, like Markovich, that playing these lines of the Italian will help you to improve your tactical abilities, your feeling for sacrificial play (compensation on the long term) and also endgames.
2. do not make my mistake. Do not play these lines too long (two or three years should suffice, let's say until you have an ELO of 1700 or something) and do not spend too much time analyzing them. You must improve your endgame (get yourself some elementary endgame book), your tactics (abundance of choice) and positional play (again a lot more available than 25 years ago).
3. make sure you play different kind of openings. Eg I also second Markovich' recommendation 1.e4 e6 2.d4 d5 3.exd5 exd5 4.c4 - teaches you about the IQP.
I agree with Kylemeister that you should consider 2.Nf3 Nc6 3.d4. This opens the game immediately, so it increases your chances of a tactical melee. 4...Bc5 (Nf6 5.0-0 see my previous post; d6 5.Nxd4 is a variation of the Hungarian) 5.c3 Nf6 (dxc3 6.Nxc3 d6 7.o-o and 8.Bg5 is a kind of Göring Gambit; d3 6.0-0 d6 7.b4 Bb6 8.a4) 6.0-0 is the nameless Italian Gambit mentioned above.
Alas such a nice transpositional trick does not exist for the Evans Gambit.
As you intend to turn to the Ruy Lopez, it is better to stick to 2.Nf3 (2.d4 also has some transpositional nuances) as you will have to find something against the Petrov and Philidor anyway.
Keep track with the repertoire suggested by Greet. One day - rather sooner than later - you will need it.
Shouldn't you open a similar thread on the Sicilian as well? For 1.e4 players it is the second opening to master, immediately after the Open Games.