Hello.
I have now looked a bit at something after (5...Nf6) in the Jaenisch.
Given the for me uninspiring nature of the pawn up white positions in either:
(1.e4 e5 2.Nf3 Nc6 3.Bb5 f5 4.Nc3 fxe4 5.Nxe4 Nf6 6.Nxf6+ Qxf6 7.Qe2 Be7 8.Bxc6 bxc6 9.Qxe5 d6 10.Qxf6 Bxf6) or
(1.e4 e5 2.Nf3 Nc6 3.Bb5 f5 4.Nc3 fxe4 5.Nxe4 Nf6 6.Nxf6+ Qxf6 7.Qe2 Be7 8.Bxc6 bxc6 9.Nxe5 Qe6)
I did not look at these lines. Instead I took a step back and investigated:
(1.e4 e5 2.Nf3 Nc6 3.Bb5 f5 4.Nc3 fxe4 5.Nxe4 Nf6 6.Qe2)
With the major benefit of this line being that stuff is not exchanged. Initially, after the principled reply to 6.Qe2 of 6...d5, I was planning on going for the line:
(1.e4 e5 2.Nf3 Nc6 3.Bb5 f5 4.Nc3 fxe4 5.Nxe4 Nf6 6.Qe2 d5 7.Nxf6+ gxf6 8.d4)
Mentioned in the thread previously, though not as far as I can see analysed. Realising that an alternative to 8.d4 exists in 8.0-0 I started looking at this and I must say I was quite pleased with the positions reached. I bring you a short pgn of roughly how a repertoire in this line could look like:
Basically I thought I'd ask if anyone sees any drawbacks to this 6.Qe2, 8.0-0 line or if it is something that can be recommended in the Spanish repertoire?
Have a nice day.