I got the book yesterday. Some words about my first impressions.
Pluses:
1. The enthusiasm of the author shines through the whole book.
This makes me want to dig deeper into the material.
2. Coverage of the Classical with 7...exd4 is refreshing. With the
open center and piece play this feels more like an Open Game.
Indeed I remember dabbling with this line in the 1990s after
reading about it in Tony Kostenīs book about the Philidor-
Defence (!) via the move order 1 e4 e5 2 Nf3 d6 3 d4 exd4
4 Nxd4 g6 5 c4 Bg7 6 Nc3 Nf6 6 Be2 0-0 7 0-0 Re8 8 f3 c6.
3. Also I like the coverage of 6...c6 against the Fianchetto since it
looks like a relatively low theory weapon for Black.
Minuses:
1. I donīt like the layout. Itīs not very user friendly if you give the
main line in bold and then also start the variations with a move
in bold. Using a structure with a), b), c) etc. is much better to
follow. If you really want to use a format with complete games
then if my memory serves me right Andrew Greetīs "Beating
unusual Chess Defences: 1 e4" is a good example how to
structure it well. Personally I strongly prefer a tree format.
2. Donīt recommend lines where a forced draw cannot be avoided
unless you have an alternative ready! This is an issue in the
chapter about the Four-Pawns-Attack where after 1 d4 Nf6
2 c4 g6 3 Nc3 Bg7 4 e4 d6 5 f4 0-0 6 Nf3 e5!? is recommended.
Thatīs generally an interesting choice but has the flaw that
Black canīt avoid the repetition after 7 dxe5 dxe5 8 Nxe5
Qxd1+ 9 Kxd1 Na6 10 Be2 Rd8+ 11 Kc2 Nc5 12 Bf3 Nfxe4 13
Nxe4 Bf5 14 Re1 Bxe5 15 fxe5 Rd4 16 Kc3 Rd3+ 17 Kc2 Rd4. If
you are playing for a win with Black you have to look elsewhere
which means studying 6...c5!
3. Make sure your reader canīt be move ordered in a line you
suggest. As mentioned above against the Fianchetto 6...c6 is
recommended. Now in the Chapter about the Makogonov Bojkov
misses the possibility 1. d4 Nf6 2. c4 g6 3. Nc3 Bg7 4. e4 d6 5.
Nf3 O-O 6. h3 Na6 7. g3!? which has already been pointed out
by Vigorito in his "Attacking Chess: The KID" books. White
playing Nf3 and h3 in the Fianchetto is quite normal while ...Na6
for Black isnīt. And he canīt transpose back to the recommen-
dation against the Fianchetto with 7...c6 since there Black
usually continues with ...e5 and ...Nbd7. Also some advice what
to do if White delays d2-d4 would be valueable here.
4. Perhaps a Chapter about Odds and Ends should have been
added since some lines are missing. 1 d4 Nf6 2 c4 g6 3 Nc3 Bg7
4 e4 d6 5 Nge2 is only mentioned as a transpositional tool in the
Samisch and 5 Bd3, 4 Nf3 0-0 5 Bg5 and some other minor lines
donīt seem to be covered.
I hope the above doesnīt sound too nitpicking and despite my criticism I have a positive feeling about the book and give it a provisional rating of 3,5 g7-bishops out of five