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Very Hot Topic (More than 25 Replies) The Tarrasch in Black and White (Read 51095 times)
motörhead
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Re: The Tarrasch in Black and White
Reply #27 - 02/21/10 at 21:10:41
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proustiskeen wrote on 02/21/10 at 02:28:09:
For the rest of us who just want to learn about the Tarrasch, might you repost the lines that got accidently deleted?


Reposting the lines wasn’t a matter of two mouse-clicks. I have no word-doc on it. I really had to write them again plus translate Keilhack again and that costs some time, all the more because simultaneously I check what I write. 

In regard of your nickname I had to laugh out loud. Proust is keen. In German Marcel Proust’s Masterpiece is called “Auf der Suche nach der verlorenen Zeit” - in search for the lost time. Yes. Indeed.

So here I am again with the variations.

Keilhack calls the variation Markovich has given (1.d4 d5 2.c4 e6 3.Nc3 c5 4.cxd5 exd5 5.Nf3 Nc6 6.dxc5) the “belated Tarrasch Gambit” (the real Tarrasch Gambit starts with 5.dxc5).
He deals with it on about one page. First he follows what Markovich has given, that is 6...d4 7.Na4 Bxc5 8.Nxc5 Qa5+ but then the opinions diverge. 

Markovich gave 9.Bd2 Qxc5 10.e3 dxe3 11.Bxe3. But I (and obviously Keilhack too) think that 10...dxe3 only develops white and in fact gives him a plus.
Keilhack gives 10...Bg4 11.exd4 Qe7+! 12.Be2 Bxf3 13.gxf3 Nf6, Knaak - Lalic, Varna 1986, as unclear. At least that offers more spots to play for then 10...dxe3.

Nevertheless Keilhack shares Markovich’s opinion on that variation, but his concrete line in my eyes is more to the point: 9.Qd2! Qxc5 10.e3! dxe3 11.Qxe3+ Qxe3+ 12.Bxe3. Two bishops + slight lead in development = slight but enduring advantage for white. Keilhack gives Knaak - Petursson, Novi Sad ol 1990: 12...Nge7 13.Bc4 Be6 (hm, perhaps ?!, don’t know, but black definitely has problems. “This converts a drawback - opponent’s two bishops - into a structural weakness”, Keilhack) 14.Bxe6 fxe6 15.Ng5 Kd7 16.0-0-0+ Nd5 17.Rhe1 Ncb4 18.a3 Rac8+ 19.Kb1 Nc2 20.Re2 Nxe3 21.Rxe3 Rce8 22.Re5 Rhf8 23.f3 Kd6 24.f4! h6 25. Nxe6 asf.  

Quite impressive though - but for white. So is Markovich in the end right with his verdict? Well according to Keilhack there are two possible cures for black. 

First: 6...Nf6 (instead of d5-d4). If now 7.Be3 (otherwise ...Bxc5) then 7...Qa5 “with adventurous play” e.g. 8.a3 Ne4 9.Rc1 Be6 10.Qa4 (10.g3!? Van der Sterren, 10.Nd4!? Bxc5 11.Nxe6 fxe6 12.Bxc5 Nxc5 13.b4 Nxb4, yes, adventurous...) Qxa4 (weaker is 10...Bxc5, Karolyi - Wells, Malta 1980) 11.Nxa4 Na5 12.b4 Nc4 13.Bd4 b5 14.Nc3 Nxc3 15.Rxc3 a5, unclear, our no less adventurous 9...Be7 (good old Krause) 10.Qxd5 Nxc3 11.Rxc3 Bf6 12.Nd4 Be6 13.Qe4 0-0-0... all too wild that? Well then...

Second: 6...d4 (again) 7.Na4 b5!? 7.axb6 axb6. With the additional moves Nf3/Nc6 this resembles the Haberditz Gambit, so you can call it “belated” again, (normally reached via 5.dxc5 d4 6.Na4 b5 and dealt with on one an a half pages by Keilhack) “untested and unclear” according to Keilhack, “but may well be the strongest continuation. It is difficult to say who will profit from the inserted moves Nf3/Nc6. White’s try to use this insertation with 9.Qb3 will be answered by 9...Bb4+ 10.Bd2 b5 11.Bxb4 Be6!

All in all these two attempts both bear much more life than the attempt to survive drowning with the pseudo-active 6...d4 7.Na4 Bxc5... 

So that’s for that. I hope, it helps.

cheese
  

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Re: The Tarrasch in Black and White
Reply #26 - 02/21/10 at 19:33:36
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Ametanoitos wrote on 02/21/10 at 07:58:49:


As fot the Tarrasch now. Marcovic, do you consider the 9.Bg5 cxd4 (instead of 9...c4) an adequate solution for Black? OK the variation given by Abby is not bad for Black but Khalifman's and Cox's suggestion of 10.Nxd4 h6 11.Be3 Re8 12.Rc1 postponing Nxc6 and playing Na4 next seems great from a theoritical point of view. This is a problem variation for Aagaard also. I don't know what Schandorff has suggested but i suspect that are many other variations (like 12.Qb3 f.e as played by Karpov against Kasparov) that may promise a theoritical advantage for White. So, do you think that 9...cxd4 is viable also? Also what conclusions does Keilhack make about 9...cxd4 and does he recomend something nice for Black against Cox's suggestion?


It's been some years since I myself played the Tarrasch, but when I did I played it with 9...cxd4.  9...c4 just does not look like chess to me, which no doubt says something about my limitations as a player.

After 12.Rc1, which indeed is a challenging line for White, Rizzitano in Chess Explained: The Queen's Gambit Declined declares that 12...Bf8 13.Na4 Bd7 14.Nc5 Bxc5 15.Rxc5 Qe7 16.Qc1 Qe5! is adequate for Black.  He also thinks that 16.Rc1 Ng4! is equal.  He suggests 16.Nxc6 bxc6 17. Rc2 Ne4 18. 18.Qd4 a5 19. Rfe1 and claims a slight advantage for White.  Using Markovich's Much-Mocked Evaluation System (http://www.chesspub.com/cgi-bin/yabb2/YaBB.pl?num=1266527927), I would say "=w", that is, scant winning chances for either side, but White's play is easier.

@cheesemate: I went to look for my copy of Keilhack so that I myself could re-post the chess idea you posted and partially repair my standing in your esteem, but I can't find it and I actually think that I must have boxed it away.  I decided that I'm not going to haul out my boxes and crack them open over this.

I am deeply regretful for butchering your post; it's very easy to click on "modify" when you mean "quote"; but by now I am past caring about Keilhack's prose or about your concerns over my fairness or integrity or whatever the hell it is that concerns you about me.
  

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Re: The Tarrasch in Black and White
Reply #25 - 02/21/10 at 19:09:33
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I had always gone 9.Bg5 in the past, and few players ventured 9...c4. When they did, I tended to feel uncomfortable. Black's pawn structure was a total wreck, but the piece play was dangerous. I'd still like to (stubbornly) stick with 9.Bg5 though... can anyone tell me what Schandorff recommended? I'll look up the line in a database and do my studying from there instead of buying the book for just one variation.

P.S. It has never failed to amuse me how some users here can go from having a chess discussion to launching a diatribe against another member over something as trivial as a few passing comments...  almost as if some fundamental aspect of their life philosophy had been treaded upon. Some chess players need a life off the board.
  

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Re: The Tarrasch in Black and White
Reply #24 - 02/21/10 at 15:56:35
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There was some variation involving Qa4 at some point covered in a NiC some time back in the main line Tarrasch that also looked highly promising. I wish I could remember it, it's been a long time...

I think the ...c4 variation is the way to go, but Schandorff did a good job for white on that...
  

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Re: The Tarrasch in Black and White
Reply #23 - 02/21/10 at 07:58:49
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@cheesemate: I think that Markovic's post was clear. He didn't had the intention to deleat your variations ofcourse. He apologised about that. Bad things happen, it was an accident! Don't be sceptical about everything please and show some good faith. Markovic hasn't shown any signs of "king who rules the roost" all these years (i don't know him personaly, just from this foroum) and he always is generous to share his opinion and his sources as an experienced and strong player. Also it is abvious that Markovic didn't try hard to understand the German part of the book but do you expect everyone to have a dictionary beside him all the time? We want to study chess books and have fun, not to be tortured just to read a couple of pages! I'm sure this is a great book because i can judge of the author's other books i have and because of Watson's comment (and your's). So i really would like to see this book translated also.

As fot the Tarrasch now. Marcovic, do you consider the 9.Bg5 cxd4 (instead of 9...c4) an adequate solution for Black? OK the variation given by Abby is not bad for Black but Khalifman's and Cox's suggestion of 10.Nxd4 h6 11.Be3 Re8 12.Rc1 postponing Nxc6 and playing Na4 next seems great from a theoritical point of view. This is a problem variation for Aagaard also. I don't know what Schandorff has suggested but i suspect that are many other variations (like 12.Qb3 f.e as played by Karpov against Kasparov) that may promise a theoritical advantage for White. So, do you think that 9...cxd4 is viable also? Also what conclusions does Keilhack make about 9...cxd4 and does he recomend something nice for Black against Cox's suggestion?
  
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Re: The Tarrasch in Black and White
Reply #22 - 02/21/10 at 02:28:09
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For the rest of us who just want to learn about the Tarrasch, might you repost the lines that got accidently deleted?
  
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Re: The Tarrasch in Black and White
Reply #21 - 02/21/10 at 00:17:35
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Markovich wrote on 02/20/10 at 20:15:30:

I fail to see that I am setting myself up as a judge of German prose, something that I could hardly do.  I'm saying that the prose in question departs from the dry old "chess German" that I am capable of reading and that it appears to do so by means of voluble, informal expressions.  That is illegitimate, I really do fail to see why.  So I'll stand by what I said.

Well, may be I'm simply stupid, but as I interprete your writing, you make up your mind about the passages you can't understand and you come to the conclusion that they appear to be voluble and informal. I simply don't understand it, what is the basis of your interpretation? - even if it only appears to you 

Markovich wrote on 02/20/10 at 20:15:30:

But if a German speaker would say, "No, you ignorant idiot, he's not voluble or informal, he's using a Hegelian vocabulary," or, "No you buffoon, he's making allusions to Goethe," I with my miserable command of German would have to assume that they were right.  It's all I can do to get on the right train on the Deutsche Bahn, you know?  So if Keilhack's writing is not in fact informal, then I jolly well stand corrected.


I don't understand at all what you want to say with this. Has anyone here called you an ignorant  idiot or a  buffoon? 
Me not. I don't know who you are, except that you are the moderator. But as I know from your writing you taught chess to Abby from Chesscafé and I assumed you to be a very strong player - read again... 
btw. Keilhack's writing is nor Hegelian neither making allusions to Goethe. As I find, the comments light up the situations. You surely would agree if you would have an English translation at hand. It's a pitty that there is no English edition. 

Markovich wrote on 02/20/10 at 20:15:30:

I feel terrible about butchering your post by mistakenly using my moderator's power to edit it.  I deleted the chess variations that you so generously put up.  My apologies again, but others might benefit if you could find the time to put these ideas again.


That for me is the real and disappointing thing in this "dialogue".
I simply want to take part in a discussion. So I gave some instructive variations from that damned book. At first and for some hours they where in fact there. Now surprisingly they are deleted and lost and I am asked if  I "could find the time" to type-write them again, cause "others might benefit" (sic!). For what reason have you edited that at all? There where only variations, no insults...
I do not feel fine with all that. Your behavior and writing resembles a king who rules the roost - and in fact there was "moderator's power", even it was used mistakenly. As a Newbie I find all that hostile and I don't know the reason. In an international forum that is simply sad...

cheese
  

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Re: The Tarrasch in Black and White
Reply #20 - 02/20/10 at 20:15:30
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motörhead wrote on 02/20/10 at 15:13:06:
Markovich wrote on 02/19/10 at 16:08:54:
Personally I found much of Keilhack's book inaccessible, since I only know "chess German" and he writes in what appears to be a voluble, informal style.
[...]
It's IQP, IQP, IQP, all the way.  It's not a deep mystery that requires anyone's reading Keilhack.  Though I have no doubt that his teaching is very useful, you can read any book on IQP and learn to play the Tarrasch reasonably well, and a bunch of other systems besides.


Hm, objection Markovich,
as I’ ve written, the best book on the Tarrasch isn’t available in English. So what does your “I found much of Keilhack’s book inaccessible, since I only know ‘chess German’ and he writes in what appears to be a voluble, informal style” mean? And, sorry, what do you mean with “appears to be voluble”? Come on, first you admit that your German isn’t sufficient and then you march on to judge Keilhack’s German Prose... Remarkable.


I fail to see that I am setting myself up as a judge of German prose, something that I could hardly do.  I'm saying that the prose in question departs from the dry old "chess German" that I am capable of reading and that it appears to do so by means of voluble, informal expressions.  That is illegitimate, I really do fail to see why.  So I'll stand by what I said.

But if a German speaker would say, "No, you ignorant idiot, he's not voluble or informal, he's using a Hegelian vocabulary," or, "No you buffoon, he's making allusions to Goethe," I with my miserable command of German would have to assume that they were right.  It's all I can do to get on the right train on the Deutsche Bahn, you know?  So if Keilhack's writing is not in fact informal, then I jolly well stand corrected.

motörhead wrote on 02/20/10 at 15:13:06:

Judging books is allways a matter of taste - and of language. I as a native German think that Keilhack offers the best book on an opening I’ve ever seen, and I’ve seen quite a lot.  My judgment is based on the exact reason that he gives us words and not only signs in Informator-style. He deals with move orders up to a stage I’ve never seen elsewhere. And his explantations show the direction of the game and the usage of the pieces.


In the first place, I'm not judging Keilhack's book, I am merely saying that since I was unable to understand him, I found him unuseful.  Unfortunately my  command of your language in no way resembles yours of mine.

I feel terrible about butchering your post by mistakenly using my moderator's power to edit it.  I deleted the chess variations that you so generously put up.  My apologies again, but others might benefit if you could find the time to put these ideas again. 

  

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Re: The Tarrasch in Black and White
Reply #19 - 02/20/10 at 15:13:06
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Markovich wrote on 02/19/10 at 16:08:54:
Personally I found much of Keilhack's book inaccessible, since I only know "chess German" and he writes in what appears to be a voluble, informal style.
[...]
It's IQP, IQP, IQP, all the way.  It's not a deep mystery that requires anyone's reading Keilhack.  Though I have no doubt that his teaching is very useful, you can read any book on IQP and learn to play the Tarrasch reasonably well, and a bunch of other systems besides.


Hm, objection Markovich,
as I’ ve written, the best book on the Tarrasch isn’t available in English. So what does your “I found much of Keilhack’s book inaccessible, since I only know ‘chess German’ and he writes in what appears to be a voluble, informal style” mean? And, sorry, what do you mean with “appears to be voluble”? Come on, first you admit that your German isn’t sufficient and then you march on to judge Keilhack’s German Prose... Remarkable.


Judging books is allways a matter of taste - and of language. I as a native German think that Keilhack offers the best book on an opening I’ve ever seen, and I’ve seen quite a lot.  My judgment is based on the exact reason that he gives us words and not only signs in Informator-style. He deals with move orders up to a stage I’ve never seen elsewhere. And his explantations show the direction of the game and the usage of the pieces.

But yes, you are right, one can learn the Tarrasch, or in a broader sense the IQP, with other books too. And if your are strong enough to extract the secrets in a position on your own you don’t need books at all. Then a simple database with games is enough...

But well, I buy books to be instructed. And under this circumstance I think Keilhack’s book is the best on Tarrasch. Compared with a normal everyman-book he crams much more material in one page (double coloums) - to an extend that you may well criticize that it is too much. And he offers nearly 300 pages...

[I very much regret that in trying to quote this and respond to it, I accidentally used my moderator's powers to edit it, thereby losing the most interesting part of cheesemate's message.  I sincerely apologize, but I have no way to undo this mistake.  Markovich]
« Last Edit: 02/20/10 at 20:28:45 by Markovich »  

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Re: The Tarrasch in Black and White
Reply #18 - 02/19/10 at 17:20:11
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I noticed Kotronias picking up the Tarrasch also - very interesting! It would seem he agrees with Avrukh that after 9.Bg5 c4 is the way to go - its a strange line that one. The line Avrukh recommended with 9.dxc5 and Na4 I agree with Watson and the others who are not completely worried by it, so theoretically it seems like the Tarrasch is in decent shape.
  
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Re: The Tarrasch in Black and White
Reply #17 - 02/19/10 at 16:08:54
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Personally I found much of Keilhack's book inaccessible, since I only know "chess German" and he writes in what appears to be a voluble, informal style.

But yes, push that d-pawn whenever you can, then centralize behind it and bear down on e2.  Abby teaches that, I tought her that, and Tarrasch tought me that in Die Verteidigung des Damengambits.  

It's IQP, IQP, IQP, all the way.  It's not a deep mystery that requires anyone's reading Keilhack.  Though I have no doubt that his teaching is very useful, you can read any book on IQP and learn to play the Tarrasch reasonably well, and a bunch of other systems besides.  Taking up the IQP is like gambiting half a pawn, and you have to play in half-gambit fashion afterwards.  Your comp is your nice center and your active pieces.  

I believe it was Keres who remarked that in IQP positions, one rook belongs behind the d-pawn and the other usually belongs on the half-open file beside it, not on the open file on the other side, where it is subject to exchange.  There are many exceptions, of course, but that one is worth paying some attention to.

White's system with Bf4, discussed above, is perfectly good but probably not as much of a threat as the Schlecter-Rubinstein or whatever g3 is called.

One rather annoying challenge to the Tarrasch is 3.Nc3 c5 4.cxd5 exd5 5.Nf3 Nc6 6.dxc5 d5 7.Na4 Bxc5 8.Nxc5 Qa5+ 9.Bd2 Qxc5 10.e3 dxe3 11.Bxe3.  The game may be even, but White's two bishops confer a slight technical advantage that Black will have to live with for a long time, if White is in a winning mood.

Oh, and I think that Schiller's book on the Tarrasch is reasonably good, at least for club players.  Schiller may not be strong enough to write sensibly about many systems, but the Tarrasch is pretty straightforward and he's played it quite a bit himself.
  

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Re: The Tarrasch in Black and White
Reply #16 - 02/19/10 at 15:21:09
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Sandman wrote on 12/02/09 at 17:00:43:
I have a Tarrasch question. What should the reply be after 1.d4 d5 2.c4 e6 3.Nc3 c5 4. dxc5?  I have been responding with d4 kicking the N and after 5. Ne4 I reply Nc6.  I've looked thru Aagard's book Meeting 1.d4 but didn't see 4. dxc5. Have I overlooked it?

The two main variations I get in the tarrasch are the above mentioned and 1.d4 d5 2.c4 e6 3.Nc3 c5 4.cxd5 exd5 5.Nf3 Nc6 6.Bf4 which seems to have gotten really popular lately, at least at my level.  Huh


I think the very best book on the Tarrasch isn't available in English - Harald Keilhack's "Die Tarrasch-Verteidigung". It is simply the best book on an opening I have ever seen. Keilhack in some variations even explains the specks of flies on the board. Grin

And I'm not alone to praise it. The "pope" of chess-literature, John Watson, wrote in TWIC "I was completely taken aback by the depth an insightfulness of Keilhack's coverage ... pays equal attention to all lines of the Tarrasch ... gives complete explanations of issues which have been neglected for years in the literature ... useful for any player over about 1700, and might well exite the interest of grandmasters. The prose in this book is brillant" Amen.

So first of all I'm interested, whether Avrukh has Keilhack on his list of references (if there is one), just because Keilhack may have just been there before. Perhaps not in the concrete position but in the ideas behind the lines. 
Keilhack doesn't shy back to correct even Kasparow (but he has his own explanation on why Kasparow failed - that Kasparow throws in some analytical mistakes by free will just to confuse his opponents).

Well, yes, Keilhack's masterpiece is from 1993. I have the second edition from 2003, which simply is the first edition + an epilogue, 5 pages long and introduced with [translated] "The theory of the Tarrasch-Defence since 1993 has changed less than many [may] think". The very last sentence in that second edition is [translated] "The crucial question is: What will be the future of the pawn d5?" If you should name the core of the Tarrasch in one short sentence then this is it.

To your question. On 4.dxc5 Keilhack gives 4...d4 5.Ne4 Bxc5 as played in Knezevic - Keilhack, 1993. I think your 5...Nc6 is too slow and passive. What after simply 6.e3 ? To get back the pawn, you have to part with the pair of bishops - btw. Black could force it with Nd6+. So 6...Bxc5 anyway 7.Nxc5 Qa5+ 9.Bd2 Qxc5 10.exd4 Qxd4 and now 11.Bc3 or 11.Qc2. Black has no hold in the center while White has two bishops and 3:2 pawns on the queen's side.
The game went on with 6.Nf3 (6.Nxc5 Qa5+ 7.Bd2 Qxc5 leads to nearly the same [structure]) 6...Bb4+ 7.Ned2 Nc6 8.a3 Bxd2+ (8...Be7!? 9.b4!?) 9.Bxd2 e5 Black's position looks strong but he has to act carefully due to White's pair of bishops 10.e3 a5 11.exd4 exd4 12.Qe2+!? Nge7 13.0-0-0 0-0 14.Bc3 Nf5 15.g4 Re8 16.Qc2 Qf6 were the next moves - quite lively.

With the variation 1.d4 d5 2.c4 e6 3.Nc3 c5 4.cxd5 exd5 5.Nf3 Nc6 6.Bf4 you touch a soft spot of opening theory. To most GMs it seems "obvious" that only 6.g3 leads to a resourceful game. To us amateurs the developing move 6.Bf4 is more natural, "simple and straightforward development, resulting in a strong bloc of centralised pieces to restrain Black's typical isolani-based counterplay" says Keilhack. But it isn't dealed with to much because it is often top GM's practice to click away games below an ELO rating say 2500 or even 2600. Thus 6.Bf4 for them tends to be irrelavant. But not for us. Nevertheless at least in the "small ECO" it only is a footnote. A fact you can find quite often if you browse through the opening theory.
Keilhack has 6...Nf6 7.e3 on two pages. Overall he says that Black's play should be based on the slightly weakned diagonal a5-e1 (a quite usful hint for amateurs, I think). He offers the closed 7...c4 (resulting in slight advantage for White if he plays exactly) and the active and open 7...cxd4 8.Nxd4 Bb4 that Keilhack himself played at least two times. The song of the position remains the same: What about the isolated pawn d5? White has tested 9.Nxc6 (Rubinstein), 9.Be2 (Speelman, Eingorn) and 9.Bb5 (Schlechter, Korchnoi) all of which tend to a more or lesse fragile equality where active counterplay has to cure the positional weakness. I only browsed through the lines of the book but it seems to me, that there is plenty of live in the normal 6.Bf4 (as the indicated players may show) as is in the main line 6.g3... 

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Re: The Tarrasch in Black and White
Reply #15 - 02/19/10 at 10:42:44
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Ametanoitos wrote on 02/19/10 at 10:28:41:
Abby's article?


http://www.chesscafe.com/text/abby01.pdf
  

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Re: The Tarrasch in Black and White
Reply #14 - 02/19/10 at 10:28:41
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Abby's article?
  
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Re: The Tarrasch in Black and White
Reply #13 - 02/19/10 at 10:23:30
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Stefan Buecker wrote on 11/22/09 at 12:33:57:
And there is still the Schara-Hennig Gambit: unclear.

I agree that the Schara-Hennig is in good shape, but I think White can avoid that with 3.Nf3 although that does narrow down White's options against some defences.

I have to say, having read it, that Abby's article was a pretty good advert for the Tarrasch, and it even gave ways for Black to find counterplay against Markovich's recommendation in Hard Chess (4. cxd5 exd5 5. Nf3 Nc6 6. g3 Nf6 7. Bg2 Be7 8. O-O O-O 9. Bg5 cxd4 10. Nxd4 h6 11. Be3 Re8 12. Rc1).  Unless I'm reading incorrectly that transposes to the 9.Bg5 line above when Black can also try 9...c4.
  
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